School of Culture and Society

Organisational unit: Research School

Organisation profile

Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.

Main research areas

 

Culture and Society at Leuphana

More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.

Research Areas

The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.

 

  1. Published

    External State-Building and Why Norms Matter: The European Union's Fight against Corruption in the Southern Caucasus

    Börzel, T. A. & van Hüllen, V., 04.2014, Berlin: Freie Universität Berlin, DFG Sonderforschungsbereich 700, 32 p. (SFB-Governance Working Paper Series; no. 59).

    Research output: Working paperWorking papers

  2. Published

    In the Eye of the Beholder: Emanuel Goldberg's Apparatuses at the International Photographic Exhibition Dresden 1909

    Brons, F., 2015, The Technical Image: a history of styles in scientific imagery. Bredekamp, H., V. D. & Schneider, B. (eds.). Chicago: Chicago University Press, p. 102 - 111 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Exposition eines Mediums: Internationale Photographische Ausstellung Dresden 1909

    Brons, F., 2015, München: Wilhelm Fink Verlag. 496 p.

    Research output: Books and anthologiesMonographsResearch

  4. Published

    Proserpina

    Jamme, C., 2014, Lessico mitologico goethiano: Letteratura, cultura visuale, performance. Cometa, M. & Mignano, V. (eds.). Macerata: Quodlibet Studio, p. 79-92 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  5. Published

    La "crisi della rappresentazione" nella filosofia contemporanea della pittura

    Jamme, C., 2014, Rappresentanza/rappresentazione: Una questione degli studi culturali. Cometa, M. & Mignano, V. (eds.). Macerata: Quodlibet Studio, p. 95-111 17 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  6. Published

    Digitale Operativität und Performance: Geschichte der Mensch-Computer-Schnittstelle im Moment ihrer Hinterfragung, noch bevor sie anfing

    Leeker, M., 2005, In: Paragrana. 14, 2, p. 25-52 28 p.

    Research output: Journal contributionsJournal articlesResearch

  7. Published

    Die Bühne als Display: Prekäre Trennschärfen zwischen kontinuierlichem Messen und diskretem Zählen

    Leeker, M., 2007, In: Navigationen. 7, 2, p. 49-70 22 p.

    Research output: Journal contributionsJournal articlesResearch

  8. Published

    Einleitung - McLuhan neu lesen: Zur Aktualität des kanadischen Medientheoretikers

    Leeker, M. & Schmidt, K., 2008, McLuhan neu Lesen: Kritische Analysen zu Medien und Kultur im 21. Jahrhundert. De Kerckhove, D., Leeker, M. & Schmidt, K. (eds.). Bielefeld: transcript Verlag, p. 19-50 32 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Camouflagen des Computers: McLuhan und die Neo-Avantgarden der 1960er Jahre

    Leeker, M., 2008, McLuhan neu Lesen: Kritische Analysen zu Medien und Kultur im 21. Jahrhundert. De Kerckhove, D., Leeker, M. & Schmidt, K. (eds.). Bielefeld: transcript Verlag, p. 345-375 31 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Schwinde(l)ndes Theater: Zur Installation "camera orfeo" von Penelope Wehrli

    Leeker, M., 05.2010, Penelope Wehrli : Ich wohne in der Möglichkeit ; raum partituren. Bern: Benteli, p. 214 - 219 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch