School of Culture and Society
Organisational unit: Faculty
Organisation profile
The School of Culture and Society continues an almost thirty-year tradition of teaching and research in cultural studies at Leuphana University of Lüneburg. At the faculty, more than one hundred scholars from disciplines such as art history, literary studies, media studies, philosophy, sociology, geography and history teach and conduct research in a total of five institutes. The faculty currently offers three majors ("Cultural Studies," "Studium Individuale", and "Digital Media") and four minors ("Philosophy," "Digital Media / Information Technology and Culture", and "Studium Individuale") at Leuphana College and four master's degrees ("Critical Studies - Arts - Theory - History", "Media and Digital Cultures", "Culture and Organization" and "Theory and History of Modernity").
Topics
Die Wissenschaftsinitiative Kulturforschung fragt nach den historischen und kulturellen Grundlagen, Praktiken und Werten der Zivilgesellschaft im 21. Jahrhundert. Aus der Perspektive der Geistes- und Sozialwissenschaften verbindet die Initiative zwei anwendungsorientierte Forschungsschwerpunkte (Kunst & visuelle Kultur, Medienkultur & Kommunikation) mit einem starken Kernbereich Integrativer Kulturforschung. Beteiligt sind derzeit etwa 20 Professuren aus den Disziplinen Kunst, Medien, Philosophie, Geschichte, Literatur, Soziologie, Politik, Informatik und Geographie/Raumwissenschaft.
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Manuela Leinhoß
Gerhardt, U., 2013, Utopie beginnt im Kleinen - 12. Triennale Kleinplastik Fellbach. Dziewior, Y. & Nollert, A. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 118-121 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Kein Tod ohne Leben: Zu Krisen des Trauerns nach Fehl- und Totgeburt
Böcker, J., 2015, Routinen der Krise – Krise der Routinen: 37. Kongress der Deutschen Gesellschaft für Soziologie, 6.-10. Oktober 2014, Universität Trier. Lessenich, S. (ed.). Trier: Universität Trier, p. 1794 - 1807 14 p. (Kongreß der Deutschen Gesellschaft für Soziologie; vol. 37).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Lebenstreue Medien: Von immersierten Körpern zu digitalen Menschmodellen
Kasprowicz, D., 01.2016, Die mediatisierte Gesellschaft: Leben und arbeiten mit immersiven Medien. Hochscherf, T. (ed.). Marburg: Schüren Verlag, p. 27-39 13 p. (Jahrbuch für immersive Medien; vol. 2015).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The Actions that Make a Musical Instrument: Exploring Club-DJing as an Instrumental Practice
Förstel, A., Hardjowirogo, S-I. & Egermann, H., 2015, Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research: 16 – 19 June, 2015; Plymouth, UK. Kronland-Marinet, R., Aramaki, M., Ystad, S. & Eaton, J. (eds.). Plymouth: The Laboratory of Mechanics and Acoustics, p. 762–769 8 p. (Publications of the LMA).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Interiors and Interiority
Söntgen, B. (ed.) & Lajer-Burcharth, E. (ed.), 13.11.2015, Berlin/New York: Walter de Gruyter GmbH. 488 p.Research output: Books and anthologies › Monographs › Research › peer-review
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On the Synthesis of Social Memories
Hui, Y., 11.2016, Memory in Motion : Archives, Technology and the Social. Blom, I., Lundemo, T. & Røssaak, E. (eds.). Amsterdam: Amsterdam University Press, p. 307-325 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Rhythm and Technics: On Heidegger's Commentary on Rimbaud
Hui, Y., 2017, In: Research in Phenomenology. 47, 1, p. 60-84 25 p.Research output: Journal contributions › Scientific review articles › Research
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Modulation After Control
Hui, Y., 11.2015, In: New Formations. 84-85, p. 74-91 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Algorithmic Catastrophe - the Revenge of Contingency
Hui, Y., 11.2015, In: Parrhesia : a Journal of Critical Philosophy. 23, p. 122-143 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Das Wahre im Künstlichen: Edgar Degas‘ Die Orchestermusiker
Mordhorst, S., 2015, Monet und die Geburt des Impressionismus. Krämer, F. (ed.). München, London, New York: Prestel Verlag, p. 169-182 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research