Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

The Centre for Digital Cultures (CDC) unites a large range of research and development activities dedicated to the digital shift. It engages in knowledge creation and transfer, experimental and interventionist media practices, and research in disciplines such as media, social and cultural studies. The CDC aims to both understand the epochal digital shift through excellent research, and to become one of the major European forces that shape digital cultures to come.

The CDC has seen a remarkable uptake of successful funding bids. The major projects are funded by the European Fund for Regional Development (EFRE) and the State of Lower Saxony, by the German Research Council (DFG) and the VW Foundation respectively. Additional smaller projects are supported by the British Broadcasting Corporation (BBC), Transmediale, and the German Ministry for Education and Research (BMBF). The CDC has by now more than 80 researchers and cultural producers from all over the world. They work on questions such as:

  • Transmedia: How can we understand and develop new formats for entertainment as well as culture and education, merging different forms of production, participation, distribution and aesthetics?
  • User and Audience Research: What kind of methods enable us to understand new usage and consumption patterns, addressing digital cultures’ both global and local audiences? 
  • Gamification: Computer games have a growing relevance in contemporary life, not only due to the games themselves, but also through their metaphors and methods. What new opportunities arise?
  • Common Media: Which new forms of citizenship and cultural/political engagement are developing in the digital age, and how can we understand, enact and strengthen them?
  • Net based Public Broadcast: How can publicly funded provision of information, education, culture and entertainment adapt to the internet? How can new versions of basic provision be realized?
  • Hybrid Publishing: Which avenues for the communication and dissemination of knowledge beyond classrooms and research articles can be constructed, adapting the cultural and economic logic of the digital age?
  • Computer Simulation: From climate change to mass panics: Knowledge production based on computer simulation is shaping our worldview. How can we analyse and understand its effects?

Research and development at the CDC traverse boundaries between the academic sector, culture and the arts, industry, governmental bodies and civil society. It is a conducive, productive and experimental research environment, in which researchers and entrepreneurs, activists and artists, producers and hackers, thinkers and doers broker dynamic connections. Visions, blueprints and experimental findings get exposed to real-world conditions. The development of innovative teaching formats is a further crucial part of the mix: Leuphana Digital School is bringing knowledge and education online, and a new English-speaking Bachelor in Digital Media started in autumn 2013, developed in cooperation with Leuphana’s Institute for the Culture and Aesthetics of Digital Media, Hamburg Media School and Hongkong City University. The result is a new, open and engaged form of research and development for Europe’s digital cultures.

Topics

  • Transmedia
  • User and Audience Research 
  • Gamification
  • Common Media
  • Net based Public Broadcast
  • Hybrid Publishing
  • Computer Simulation
  • Artistic Research
  • New Teaching Formats
  1. Published

    Über das Essen

    Bernard, A., 2002, Salzburg: Jung und Jung. 84 p.

    Research output: Books and anthologiesMonographsResearchpeer-review

  2. Published

    Aufmerksamkeit. Passagen der Filmphilosophie in die Phänomenologie

    Sprenger, F., 2007, Medien - Zeit - Zeichen.: Dokumentation des 19. Film- und Fernsehwissenschaftlichen Kolloquiums 2006. Hissnauer, C. & Jahn-Sudmann, A. (eds.). Marburg: Schüren Verlag, p. 195-202 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Networking: La rete come arte

    Bazzichelli, T., 2006, Milano: Costa & Nolan. 333 p.

    Research output: Books and anthologiesMonographsResearch

  4. Published

    1+1=1: Bewegte Elemente im Werk Andrej Tarkowskijs

    Sprenger, F., 2007, Philosophie des Films. Leitner, B. & Engell, L. (eds.). Weimar: Verlag der Bauhaus-Universität Weimar, p. 128-141 14 p. (Philosophische Diskurse; vol. 8).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Schock und medialer Wandel: Der 11. September und die Ästhetik des Erhabenen

    Simons, S., 2007, In: Navigationen. 7, 1, p. 189-201 13 p.

    Research output: Journal contributionsJournal articlesResearch

  6. Published
  7. Published

    Gefährdungen der Zukunft

    Sprenger, F., 2010, Gefahrensinn. Engell, L., Siegert, B. & Vogl, J. (eds.). München: Wilhelm Fink Verlag, p. 79-91 13 p. ( Archiv für Mediengeschichte; vol. 9).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    "It´s All in the Game": Computerspiele zwischen Spiel und Erzählung

    Beil, B. (ed.), Simons, S. (ed.), Sorg, J. (ed.) & Venus, J. (ed.), 2009, Marburg: Schüren Verlag. 169 p. (Navigationen – Zeitschrift für Medien- und Kulturwissenschaften; vol. 9, no. 1)

    Research output: Books and anthologiesSpecial Journal issueResearch

  9. Published

    (Be-)gründungen und Figurprobleme: Marshall McLuhans Denken über Medien und seine Folgen

    Sprenger, F., 2009, Die Medien und das Neue: 21. Film- und Fernsehwissenschaftliches Kolloquium. Wentz, D. & Wendler, A. (eds.). Marburg: Schüren Verlag, p. 81-97 17 p. (Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie; vol. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Zu einer platonischen Rekurrenzfigur der Medienkritik

    Sprenger, F., 2010, In: Maske und Kothurn: Internationale Beiträge zur Theater-, Film- und Medienwissenschaft. 56, 2, p. 53-67 15 p.

    Research output: Journal contributionsJournal articlesResearch

  11. Published

    A Theory of Media as a History of Electricity: How McLuhans thoughts about mediation are thwarted by their negation

    Sprenger, F., 2010, McLuhan Galaxy Conference: Understanding Media Today : Conference Proceedings. Ciastellardi, M., Almeida, C. M. & Scolari, C. A. (eds.). Editorial UOC, p. 71-77 7 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  12. Published
  13. Published

    Sternenstaub: Zur Anschaulichkeit elektrischer Phänomene Ende des 18. Jahrhunderts

    Sprenger, F., 01.04.2014, Zwischen Sichtbarkeit und Unsichtbarkeit: Visualität in Wissenschaft, Literatur und Kunst um 1800. Kaufmann, J., Kirves, M. & Uhlmann, D. (eds.). Paderborn: Wilhelm Fink Verlag, p. 39-64 26 p. (Laboratorium Aufklärung; vol. 24).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  14. Published

    Quantencomputer. Taktlos

    Warnke, M., 2013, Kulturtechniken der Synchronisation. Kassung, C. & Macho, T. (eds.). Paderborn: Wilhelm Fink Verlag, p. 269-287 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  15. Published

    "Ich bin Neda": Zur Authentizität ästhetischer Brüche und ihrer sozialen Resonanz im Web 2.0

    Simons, S., 2012, Authentisches Erzählen: Produktion, Narration, Rezeption. Weixler, A. (ed.). Berlin; Boston MA: Walter de Gruyter GmbH, p. 291-319 29 p. (Narratologia; no. 33).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  16. Published

    Image Match: Visueller Transfer, ›Imagescapes‹ und Intervisualität in globalen Bildkulturen

    Baleva, M. (ed.), Reichle, I. (ed.) & Schultz, O. L. (ed.), 2012, 1. ed. München: Wilhelm Fink Verlag. 332 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  17. Published

    Answers to seven questions

    Wuggenig, U., 2012, Kunst im öffentlichen Raum Steiermark: Projekte 2010. Fenz, W., Kraus, E. & Kulterer, B. (eds.). Heidelberg, New York: Springer, p. 281-282 2 p.

    Research output: Contributions to collected editions/worksOtherTransfer

  18. Published

    Jenseits von links und rechts? Stimmen zum Methodenstreit

    Wuggenig, U., 1998, In: Texte zur Kunst. 8, 29, p. 81-83 3 p.

    Research output: Journal contributionsJournal articlesResearch

  19. Published

    Kunst und Globalisierung

    Buchholz, L. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 163-188 26 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  20. Published

    Kunstzentren und Kunstmarktzentren: Paris, Wien, Zürich und Hamburg

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 63-85 23 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  21. Published

    Objektaffekte: Die Rolle der Künstler/innen im sozialen Netzwerk

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 231-249 19 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  22. Published

    Das Kunstfeld von Zürich - ein Zentrum des Buddhismus?

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 53-62 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  23. Published

    Kunstfeldforschung

    Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 27-51 27 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  24. Published

    Antworten auf sieben Fragen

    Wuggenig, U., 2012, Kunst im öffentlichen Raum Steiermark: Projekte 2010: Art in Public Space Styria: Projects 2010. Fenz, W., Kraus, E. & Kulterer, B. (eds.). Heidelberg, New York: Springer, p. 279-280 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  25. Published

    Neue Bilder des Wirklichen: Der Kameramann Walter Lassally

    Bolsinger, G. (ed.), Kirchner, A. (ed.), Neubauer, M. (ed.) & Prümm, K. (ed.), 2012, Marburg: Schüren Verlag. 208 p. (Marburger Kameragespräche; vol. 7)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  26. Published

    Einleitung: Von der "Klein-Hypothese" zur Beratung der Gesellschaft

    Pias, C. & Vehlken, S., 2010, Think Tanks : Die Beratung der Gesellschaft. Brandstetter, T., Pias, C. & Vehlken, S. (eds.). Zürich, Berlin: Diaphanes Verlag, p. 7-15 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  27. Published

    Eine Chronik zum Thema Elektronische Demokratie

    Heise, C., 14.12.2012, Jahrbuch Netzpolitik 2012: Von A wie ACTA bis Z wie Zensur. Beckedahl, M. & Meister, A. (eds.). Berlin: epubli GmbH, p. 95-107 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  28. Published

    Search

    Hui, Y., 2014, The Johns Hopkins Guide to the Digital Media. Ryan, M-L., Emerson, L. & Robertson, B. (eds.). Baltimore: Johns Hopkins University Press, p. 440-442 3 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  29. Published

    Blöde Sklaven oder lebhafte Artefakte ? Eine Debatte der 1960er

    Müggenburg, J. & Pias, C., 2013, Automatismen - Selbst-Technologien. Bublitz, H., Kaldrack, I., Röhle, T. & Zeman, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 45-69 24 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  30. Published
  31. Published
  32. Published

    Die übertragene Revolution

    Apprich, C., 2011, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 4/2011, p. 7 1 p.

    Research output: Journal contributionsJournal articlesTransfer

  33. Published

    Rezension von Warnke, Martin: Theorien des Internet zur Einführung

    Apprich, C., 2011, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 2011, 2, p. 78

    Research output: Journal contributionsCritical reviewsResearch

  34. Published
  35. Published

    Was bleibt? Einige Überlegungen zum Medienereignis WikiLeaks

    Apprich, C., 2011, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 1, p. 44-47

    Research output: Journal contributionsJournal articlesTransfer

  36. Published
  37. Published
  38. Published

    Lasst es brennen! Ein Kommentar

    Apprich, C., 2010, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 1, p. 8 1 p.

    Research output: Journal contributionsComments / Debate / ReportsTransfer

  39. Published

    DRM... TRIPS... WIPO... Ein kleines Glossar zum UrheberInnenrecht

    Apprich, C., 2009, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 4, p. 8-9 2 p.

    Research output: Journal contributionsJournal articlesTransfer

  40. Published

    Macht und Machtlosigkeit: Ein Interview mit Saskia Sassen

    Apprich, C., 2009, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 2, p. 4-6 3 p.

    Research output: Journal contributionsJournal articlesTransfer

  41. Published

    It's the community, stupid! Urbane Regierungstechniken der Selbstverwaltung

    Apprich, C., 2009, Phantom Kulturstadt. Becker, K. & Wassermair, M. (eds.). Wien: Löcker Verlag, p. 244-250 (Texte zur Zukunft der Kulturpolitik; no. 2).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  42. Published

    The poverty of journal publishing

    Beverungen, A., Böhm, S. & Land, C., 01.11.2012, In: Organization. 19, 6, p. 929-938 10 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  43. Published

    Die stille Revolution: Wie Algorithmen Wissen, Arbeit, Öffentlichkeit und Politik verändern, ohne dabei viel Lärm zu machen

    Bunz, M., 10.2012, Berlin: Suhrkamp Verlag. 171 p. (edition unseld; no. 43)

    Research output: Books and anthologiesMonographsResearch

  44. Published

    Ich trage, wo ich gehe, stets eine Uhr bei mir - Oder: Mein Gott, was sind die Wissenschaften aufregend !

    Warnke, M., 2012, Per Anhalter durch die Turing-Galaxis. Knaut, A., Kühne, C., Rehak, R., Stefan, U., Kurz, C. & Pohle, J. (eds.). Münster: MV Wissenschaft, p. 101-109 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  45. Published

    Betriebssysteme der Wissenschaft

    Warnke, M., 2012, In: Zeitschrift für Medienwissenschaft. 7, 2, p. 152-156 4 p.

    Research output: Journal contributionsJournal articlesResearch

  46. Published

    Quantencomputer/Quantenkryptographie

    Warnke, M., 2014, Handbuch Medienwissenschaft. Schröter, J. (ed.). 1 ed. Stuttgart: J.B. Metzler, p. 369-371 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  47. Published

    Explicit Art Historical Image Referencing on a Big Scale

    Warnke, M., 2012, In: LIBREAS. Library Ideas. 21, Bilder, Graphen, Visualisierungen, 12 p.

    Research output: Journal contributionsJournal articlesResearch

  48. Published

    Entgrenzung des künstlerischen Feldes durch Globalisierung ? Kontroverse Haltungen im Kunstfeld von Zürich

    Wuggenig, U. & Tarnai, C., 2012, Transnationale Vergesellschaftungen: Verhandlungen des 35. Kongresses der Deutschen Gesellschaft für Soziologie in Frankfurt am Main 2010. Söffner, H-G. (ed.). Springer, Vol. CD-ROM. 16 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  49. Published

    Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris

    Munder, H. (ed.) & Wuggenig, U. (ed.), 11.2012, Zürich: JRP Ringier Verlag. 460 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  50. Published

    Social Games: Privacy and Security

    Fuchs, M., 10.2012, ICT Critical Infrastructure and Society: 10th IFIP TC 9 International Conference on Human Choice and Computers, HCC10 2012, Amsterdam, The Netherlands, September 27-28, 2012. Proceedings. Magda D., H., Whitehouse, D., McIver Jr., W. & Phahlamohlaka, J. (eds.). Amsterdam: Springer, p. 330-337 8 p. (IFIP Advances in Information and Communication Technology; vol. 386 AICT).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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