Knowledge Spaces of Globalization: Musealizing the Spatial Assemblages of Global Trade
Publikation: Beiträge in Sammelwerken › Aufsätze in Konferenzbänden › Forschung › begutachtet
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Knowledge Spaces of Globalization : Musealizing the Spatial Assemblages of Global Trade. / Ruhkopf, Melcher.
Comparison: Conference for Artistic and Architectural Research: Book of Proceedings. Hrsg. / Fabrizia Berlingieri; Francesca Zanotto. Syrakus : LetteraVentidue Edizioni, 2021. S. 100-110.Publikation: Beiträge in Sammelwerken › Aufsätze in Konferenzbänden › Forschung › begutachtet
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RIS
TY - CHAP
T1 - Knowledge Spaces of Globalization
AU - Ruhkopf, Melcher
N1 - Conference code: 8 & 3
PY - 2021/3
Y1 - 2021/3
N2 - Relying on theoretical concepts of space and knowledge production and employing collecting as art-based research practice, this ethnographic-artistic PhD project asks how the spaces of globalization and global logistics are transformed into the future German Port Museum in Hamburg. Museal collecting and spatial design are addressed as key factors in this transformation process. In a first research phase, the museum's development is explored using ethnographic methods of field research. Based on these findings, a series of experimental collecting setups is realized in the Duckdalben International Seamen's Club in Hamburg to explore non-academic bodies of knowledge and non-hegemonic perspectives on global trade. This second phase uses means of participatory art-based research to open the museum's spacio-epistemic configurations through material and ephemeral items collected by otherwise unheard and unseen actors of globalization.
AB - Relying on theoretical concepts of space and knowledge production and employing collecting as art-based research practice, this ethnographic-artistic PhD project asks how the spaces of globalization and global logistics are transformed into the future German Port Museum in Hamburg. Museal collecting and spatial design are addressed as key factors in this transformation process. In a first research phase, the museum's development is explored using ethnographic methods of field research. Based on these findings, a series of experimental collecting setups is realized in the Duckdalben International Seamen's Club in Hamburg to explore non-academic bodies of knowledge and non-hegemonic perspectives on global trade. This second phase uses means of participatory art-based research to open the museum's spacio-epistemic configurations through material and ephemeral items collected by otherwise unheard and unseen actors of globalization.
KW - Cultural studies
UR - https://www.letteraventidue.com/en/prodotto/453/comparison
UR - https://www.worldcat.org/de/title/1258300016?oclcNum=1258300016
UR - https://ca2re.eu/wp-content/uploads/2020/10/MILANO-2020-Ruhkopf-abstract.pdf
M3 - Article in conference proceedings
SP - 100
EP - 110
BT - Comparison
A2 - Berlingieri, Fabrizia
A2 - Zanotto, Francesca
PB - LetteraVentidue Edizioni
CY - Syrakus
Y2 - 28 October 2020 through 30 October 2020
ER -