Knowledge Spaces of Globalization: Musealizing the Spatial Assemblages of Global Trade

Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

Standard

Knowledge Spaces of Globalization: Musealizing the Spatial Assemblages of Global Trade. / Ruhkopf, Melcher.
Comparison: Conference for Artistic and Architectural Research: Book of Proceedings. ed. / Fabrizia Berlingieri; Francesca Zanotto. Syrakus: LetteraVentidue Edizioni, 2021. p. 100-110.

Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

Harvard

Ruhkopf, M 2021, Knowledge Spaces of Globalization: Musealizing the Spatial Assemblages of Global Trade. in F Berlingieri & F Zanotto (eds), Comparison: Conference for Artistic and Architectural Research: Book of Proceedings. LetteraVentidue Edizioni, Syrakus, pp. 100-110, Ca2re Conference: Comparison, Online, International, 28.10.20.

APA

Ruhkopf, M. (2021). Knowledge Spaces of Globalization: Musealizing the Spatial Assemblages of Global Trade. In F. Berlingieri, & F. Zanotto (Eds.), Comparison: Conference for Artistic and Architectural Research: Book of Proceedings (pp. 100-110). LetteraVentidue Edizioni.

Vancouver

Ruhkopf M. Knowledge Spaces of Globalization: Musealizing the Spatial Assemblages of Global Trade. In Berlingieri F, Zanotto F, editors, Comparison: Conference for Artistic and Architectural Research: Book of Proceedings. Syrakus: LetteraVentidue Edizioni. 2021. p. 100-110

Bibtex

@inbook{f6af5237754f43a98523b7daef2f89ef,
title = "Knowledge Spaces of Globalization: Musealizing the Spatial Assemblages of Global Trade",
abstract = "Relying on theoretical concepts of space and knowledge production and employing collecting as art-based research practice, this ethnographic-artistic PhD project asks how the spaces of globalization and global logistics are transformed into the future German Port Museum in Hamburg. Museal collecting and spatial design are addressed as key factors in this transformation process. In a first research phase, the museum's development is explored using ethnographic methods of field research. Based on these findings, a series of experimental collecting setups is realized in the Duckdalben International Seamen's Club in Hamburg to explore non-academic bodies of knowledge and non-hegemonic perspectives on global trade. This second phase uses means of participatory art-based research to open the museum's spacio-epistemic configurations through material and ephemeral items collected by otherwise unheard and unseen actors of globalization.",
keywords = "Cultural studies",
author = "Melcher Ruhkopf",
year = "2021",
month = mar,
language = "English",
pages = "100--110",
editor = "Fabrizia Berlingieri and Francesca Zanotto",
booktitle = "Comparison",
publisher = "LetteraVentidue Edizioni",
address = "Italy",
note = "Ca2re Conference: Comparison ; Conference date: 28-10-2020 Through 30-10-2020",
url = "https://www.auid.polimi.it/ca2re/?fbclid=IwAR1L4J0bOeQf954WZtd4isb1vkdtAzMFfYPQJ0bdgcM5dovCW84oQnDgQAg",

}

RIS

TY - CHAP

T1 - Knowledge Spaces of Globalization

T2 - Ca2re Conference: Comparison

AU - Ruhkopf, Melcher

N1 - Conference code: 8 & 3

PY - 2021/3

Y1 - 2021/3

N2 - Relying on theoretical concepts of space and knowledge production and employing collecting as art-based research practice, this ethnographic-artistic PhD project asks how the spaces of globalization and global logistics are transformed into the future German Port Museum in Hamburg. Museal collecting and spatial design are addressed as key factors in this transformation process. In a first research phase, the museum's development is explored using ethnographic methods of field research. Based on these findings, a series of experimental collecting setups is realized in the Duckdalben International Seamen's Club in Hamburg to explore non-academic bodies of knowledge and non-hegemonic perspectives on global trade. This second phase uses means of participatory art-based research to open the museum's spacio-epistemic configurations through material and ephemeral items collected by otherwise unheard and unseen actors of globalization.

AB - Relying on theoretical concepts of space and knowledge production and employing collecting as art-based research practice, this ethnographic-artistic PhD project asks how the spaces of globalization and global logistics are transformed into the future German Port Museum in Hamburg. Museal collecting and spatial design are addressed as key factors in this transformation process. In a first research phase, the museum's development is explored using ethnographic methods of field research. Based on these findings, a series of experimental collecting setups is realized in the Duckdalben International Seamen's Club in Hamburg to explore non-academic bodies of knowledge and non-hegemonic perspectives on global trade. This second phase uses means of participatory art-based research to open the museum's spacio-epistemic configurations through material and ephemeral items collected by otherwise unheard and unseen actors of globalization.

KW - Cultural studies

UR - https://www.letteraventidue.com/en/prodotto/453/comparison

UR - https://www.worldcat.org/de/title/1258300016?oclcNum=1258300016

UR - https://ca2re.eu/wp-content/uploads/2020/10/MILANO-2020-Ruhkopf-abstract.pdf

M3 - Article in conference proceedings

SP - 100

EP - 110

BT - Comparison

A2 - Berlingieri, Fabrizia

A2 - Zanotto, Francesca

PB - LetteraVentidue Edizioni

CY - Syrakus

Y2 - 28 October 2020 through 30 October 2020

ER -

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