Browse by research area

  1. ARE WE THE BADDIES? Audience development, cultural policy and ideological precarity

    Hadley, S., 06.04.2022, Routledge Companion to Audiences and the Performing Arts. Reason, M., Conner, L., Johanson, K. & Walmsley, B. (eds.). Taylor and Francis Inc., p. 143-158 16 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  2. Feminine Desire, Feminist Politics

    Benezra, K., 01.04.2022, In: Critical Times: interventions in global critical theory . 5, 1, p. 227-233 7 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Queering

    John, R. H., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 415-427 13 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  4. Ticio Escobar: Towards a Popular Art

    Benezra, K., 01.04.2022, In: Journal of Latin American and Latinx Visual Culture. 4, 2, p. 86-94 9 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Undisciplined: Peter Gorsen

    Schneider, T., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 165-166 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  6. Gathering Voices, Feeling Relations: Arlene Raven

    Lochner, O., 04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 249-250 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  7. Why Art Criticism? A Reader

    Söntgen, B. (Editor) & Voss, J. (Editor), 04.2022, Berlin: Hatje Cantz Verlag. 464 p.

    Research output: Books and anthologiesCollected editions and anthologiesTransfer

  8. Achtundsechzig antikolonial: Szenen militanter Kunst- und Filmproduktion und Implikationen für eine (Kunst)Geschichtsschreibung

    Leeb, S., 05.03.2022, Dreizehn Beiträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: transcript Verlag, p. 27-61 35 p. (Image; vol. 202).

    Research output: Contributions to collected editions/worksChapterpeer-review

  9. Accumulation and Subjectivity: Rethinking Marx in Latin America

    Benezra, K. (Editor), 03.2022, New York: The State University of New York. 344 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  10. Quipping Equipment: Apropos of Robots and Kantian Chatbots

    von Xylander, C., 03.2022, In: Technology and Language. 3, 1, p. 82-103 22 p.

    Research output: Journal contributionsJournal articlesResearch

  11. Sobre la transferencia: Lacan y Althusser

    Benezra, K., 09.01.2022, In: Res Publica. 25, 1, p. 65-74 10 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  12. The Lawless Vitality of Sculpture, c. 1960-80. Formalism’s Monsters, Cybernetic Breakdowns and the Joys of Deviation

    Nachtigall, J., 01.01.2022, Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s. Dander, P. & Linhardt, F. (eds.). Berlin: Deutscher Kunstverlag, p. 113-123 11 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  13. Coral Stone Mosques in Coastal East Africa

    Schulz, V.-S., 2022, The Religious Architecture of Islam : Volime II: Africa, Europe, and the Americas. Khan , H.-U. & Blair Moore, K. (eds.). Turnhout: Brepols Publishers, p. 212–227 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  14. Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed

    Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  15. Dada postkolonial: Die Wi(e)der-Aufführung als kuratorische Praxis

    Felicitas Sabel, L., 2022, The Return of DADA / Die Wiederkehr von DADA / Le Retour de DADA: DADA Exhibitions / DADA-Ausstellungen / Expositions DADA. Mareuge, A. & Sandro, Z. (eds.). Dijon: Les Presses du Réel, Vol. 2. p. 63-78 16 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  16. Der Mucha - Ein Anfangsverdacht: Kunstsammlung NRW, K20 + K21 03.09.2022 – 22.01.2023

    Schneider, T., 2022, In: Kunstforum international. 2022, 285, p. 253-254 2 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  17. Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture

    Mola, I. F. & Wuggenig, U., 2022, Arts and Power: Policies in and by the Arts. Gaupp, L., Barber-Kersovan, A. & Kirchberg, V. (eds.). 1 ed. Wiesbaden: Springer VS, p. 155-193 39 p. 9. (Kunst und Gesellschaft).

    Research output: Contributions to collected editions/worksChapter

  18. Freie Rede

    Schneider, T., 2022, In: 21: Inquiries into Art, History, and the Visual. Beiträge zur Kunstgeschichte und visuellen Kultur. 3, 2, p. 511-527 17 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  19. Im Zeichen des Zweifel(n)s. Madame Realism: oder: Die Funktion der Fiktion in der Kunstkritik

    Mehl, I., 2022, München: edition metzel. 360 p.

    Research output: Books and anthologiesBook

  20. Klosterruinenzines

    Weickenmeier, C. (Editor), Wallenhorst, M. (Editor), Szaflarski, A. M., Fattal, S. (Illustrator), Montealegre, J. (Illustrator), Sugito, Y. (Illustrator) & Saad, B., 2022, BOM DIA BOA TARDE BOA NOITE. 76 p.

    Research output: Books and anthologiesExhibition cataloguesResearch

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