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301 - 320 out of 1,038Page size: 20
  1. Published

    Who's Hacking Whom?

    Ridgway, R., 02.2017, Hacks, Leaks, and Breaches. Coleman, E. G. & Kelty, C. M. (eds.). United States: CreateSpace Independent Publishing, Vol. 8. p. 120-126 7 p. (Limn; vol. 8).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  2. Published

    Erinnern Vergessen.

    Pinkrah, N. Y. & Warnsholdt, C. L., 03.01.2017, Tagungsband der studentischen Konferenz für interdisziplinäre Forschung ZUfo: Pfadabhängigkeit 2013, Speicher 2014. Jandeisek, I. & Mallwitz, M. (eds.). Norderstedt: Books on Demand GmbH, p. 409-425 17 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  3. Independent Music and Digital Technology in the Philippines

    Schoop, M. E., 01.01.2017, London, New York.: Routledge Taylor & Francis Group. 245 p. (Routledge Studies in Popular Music)

    Research output: Books and anthologies › Monographs › Research

  4. How To (…) Things That Don’t Exist: An Introduction

    Jordan, U., Cervetto, R. & Stellin, G., 01.2017, I Can’t Work Like This: A Reader on Recent Boycotts and Contemporary Art. Warsza, J. (ed.). Berlin: Sternberg Press, p. 327-336 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  5. Anmerkungen zum Timetable: Ein Gespräch von Thorsten Schneider und Wolfgang Brauneis

    Schneider, T., 2017, Klasse Löbbert – Rundgang 2017. Maik, K. & Löbbert, D. (eds.). Münster: Kundakademie Münster, (Schriften der Kunstakademie Münster; vol. 131).

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer

  6. Benjamins “Kapitalismus als Religion” und seine Wirkung auf die gegenwärtige Kunst

    Costa, M. T., 2017, In: Kunst und Kirche. 2017, 1, p. 8-11 4 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  7. Published

    Between Art and Promotion: Digital Self-Representation on Artists’ Instagram Profiles

    Fölsche, L. & Jürgens, A., 2017, 6th Annual International Conference on Journalism & Mass Communications. Allen, L. (ed.). Singapur: Global Science and Technology Forum, p. 146-150 5 p. (Annual International Conference on Journalism & Mass Communications; vol. 6).

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  8. Published

    Conflicting Evidence

    Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  9. Das Unsichtbare sichtbar machen

    Jung, S., 2017, In: Prolog. Zeitschrift für Text und Zeichnung. Festschrift, X7, p. 7-9 3 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Transfer

  10. Published

    Death of an Art Critic

    Bender, A., Knoll, V. (Editor) & Loichinger, H. C. (Editor), 2017, Berlin: Sternberg Press. 46 p.

    Research output: Books and anthologies › Monographs › Transfer

  11. Published

    Der literarische Agent. Peter Hacks’ publizistische Netzwerke

    Klinkenbusch, I. L., 2017, Auslaufmodell »DDR-Literatur«.: Essays und Dokumente. Berbig, R. (ed.). Berlin: Ch. Links Verlag, p. 71–80 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  12. Die Dresdner Bank als »marchand-amateur«? Zur Rolle der Banken im Kunstmarkt während des Nationalsozialismus

    Rother, L., 2017, Markt und Macht : Der Kunsthandel im »Dritten Reich«. Fleckner, U., Gaehtgens, T. W. & Huemer , C. (eds.). 1. ed. Berlin/Boston: Walter de Gruyter, p. 67-92 26 p. (Schriften der Forschungsstelle »Entartete Kunst« ; vol. 12).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  13. Published

    „Ein äusserst seltener Erfolg.“: Der Literaturzirkel um Peter Hacks

    Klinkenbusch, I. L., 2017, Hacks Jahrbuch 2017. Köhler, K. (ed.). Berlin: Aurora Verlag, p. 45-56 12 p. (Peter Hacks Jahrbuch).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  14. Published

    Ein Bild vom Bild. Toulouse-Lautrecs Plakate und die Tänzerfotografie im ausgehenden 19. Jahrhundert.

    Mordhorst, S., 2017, In: Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie. 37, 145, p. 65-67 2 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  15. Published

    Einführung: Der Kunstschriftsteller Julius Meier-Graefe – Konturen seiner kunstkritischen Praxis

    Marchal, S., 2017, Julius Meier-Graefe - Grenzgänger der Künste. Marchal, S. & Becker, I. (eds.). Berlin: Deutscher Kunstverlag, p. 9-31 23 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  16. Published

    Ein un(mögliches) Programm

    Loichinger, H. C., 2017, Tod einer Kritikerin. Knoll, V. & Loichinger, H. (eds.). Berlin: Sternberg Press, p. 35-44 10 p.

    Research output: Contributions to collected editions/works › Other › Research

  17. Published

    Formate der Kunstvermittlung: Kompetenz - Performanz - Resonanz

    Maset, P. (Editor) & Hallmann, K. (Editor), 2017, Bielefeld : transcript Verlag. 191 p. (Image; vol. 108)

    Research output: Books and anthologies › Collected editions and anthologies › Research

  18. Published

    Hans von Marées als entwicklungsgeschichtlicher Gipfelpunkt moderner Malerei? Zum Bildverständnis von Julius Meier-Graefe

    Marchal, S., 2017, Julius Meier-Graefe: Grenzgänger der Künste. Becker, I. & Marchal, S. (eds.). Berlin: Deutscher Kunstverlag, p. 149-161 13 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  19. Published

    Instrumentality: On the Construction of Instrumental Identity

    Hardjowirogo, S.-I., 2017, Musical Instruments in the 21st Century: Identities, Configurations, Practices. Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S.-I. & Weinzierl, S. (eds.). Singapore: Springer Science and Business Media Deutschland, p. 9-24 16 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  20. Published

    Interieur

    Söntgen, B. E., 2017, Matisse - Bonnard: Es lebe die Malerei! . Krämer, F. & Museum, S. (eds.). München: Prestel Verlag, p. 81-87 7 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

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