Wolf-Georg Zaddach
Dr.
- Music education
Research areas
»30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal
Zaddach, W. G., 2014, In: Lied und Populare Kultur. 59, p. 227-241 15 p.Research output: Journal contributions › Journal articles › Research › peer-review
Anna Amalia: Kompetenzen und Reaktionen eines Kultusministeriums
Güntherodt, H. & Zaddach, W.-G., 2009, Krisenmanagement: der Brand und seine Folgen - die Herzogin Anna Amalia Bibliothek in Weimar. Höhne, S., Kostenbader, U. & Seemann, H. (eds.). Leipzig: Leipziger Universitätsverlag, p. 139-177 39 p. (Weimarer Studien zu Kulturpolitik und Kulturökonomie; vol. 5).Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Artificial intelligence in songwriting and composing - perspectives and challenges in creative practices
Tillmann, B. & Zaddach, W.-G., 01.05.2024, Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice. Voigts, E., Auer, R. M., Elflein, D., Kunas, S., Röhnert, J. & Seelinger, C. (eds.). Bielefeld: transcript Verlag, p. 217-231 15 p. (Digitale Gesellschaft; vol. 64).Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Artistic Research in Popular Music: A Critical Evaluation of Potentials and Challenges
Zaddach, W. G., 28.07.2023, In: IASPM Journal. 13, 1, p. 214-237 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
Chasing the difference: computer-aided comparison of improvisation in postbob, hardbob, and bebop
Frieler, K., Pfleiderer, M., Abeßer, J. & Zaddach, W.-G., 2014, In: Jazzforschung. 46, p. 249-269 21 p.Research output: Journal contributions › Journal articles › Research › peer-review
Der gegenwärtige Jazzdiskurs in Deutschland: Versuch einer empirischen Rekonstruktion anhand von Jazzzeitschriften
Pfleiderer, M. & Zaddach, W.-G., 2014, Jazz debates : 13. Darmstädter Jazzforum : 11. Tagung des Instituts für Jazzforschung Graz 26. bis 28.09.2013, Symposium und Konzerte. Knauer, W. (ed.). Hofheim: wolke verlag, p. 61-92 32 p. (Darmstädter Beiträge zur Jazzforschung; vol. 13).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Don’t Break the Oath, Henrik Marstal (2022)
Zaddach, W.-G., 01.06.2023, In: Metal Music Studies. 9, 2, p. 263-265 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation
Frieler, K. & Zaddach, W.-G., 03.02.2022, In: Transactions of the International Society for Music Information Retrieval. 5, 1, p. 20-34 15 p.Research output: Journal contributions › Journal articles › Research › peer-review
Following the red line: Chris Potter's solo on "Pop Tune #1"
Zaddach, W.-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W.-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
»Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective
Zaddach, W.-G., 10.05.2019, Jazzforschung heute. : Themen, Methoden, Perspektiven. Pfleiderer, M. & Zaddach, W.-G. (eds.). Berlin: Verlag Edition EMVAS, p. 133-146 13 p. (Sounding heritage; vol. 4).Research output: Contributions to collected editions/works › Chapter › peer-review