Wolf-Georg Zaddach

Dr.

  1. 2019
  2. »Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective

    Zaddach, W.-G., 10.05.2019, Jazzforschung heute. : Themen, Methoden, Perspektiven. Pfleiderer, M. & Zaddach, W.-G. (eds.). Berlin: Verlag Edition EMVAS, p. 133-146 13 p. (Sounding heritage; vol. 4).

    Research output: Contributions to collected editions/worksChapterpeer-review

  3. 2021
  4. Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

    Zaddach, W. G., 08.12.2021, In: Popular Music History. 14, 1, p. 88-91 4 p.

    Research output: Journal contributionsCritical reviewsResearch

  5. 2022
  6. Published

    Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation

    Frieler, K. & Zaddach, W.-G., 03.02.2022, In: Transactions of the International Society for Music Information Retrieval. 5, 1, p. 20-34 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. 2023
  8. Published

    Don’t Break the Oath, Henrik Marstal (2022)

    Zaddach, W.-G., 01.06.2023, In: Metal Music Studies. 9, 2, p. 263-265 3 p.

    Research output: Journal contributionsCritical reviewsResearch

  9. Published

    Artistic Research in Popular Music: A Critical Evaluation of Potentials and Challenges

    Zaddach, W. G., 28.07.2023, In: IASPM Journal. 13, 1, p. 214-237 24 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. 2024
  11. Published

    Perspektiven für die Musikforschung im 21. Jahrhundert? Künstlerische Forschung und Musikwissenschaft

    Zaddach, W.-G., 2024, In: Musikforschung. 77, 4, p. 364-377 14 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  12. Published

    Artificial intelligence in songwriting and composing - perspectives and challenges in creative practices

    Tillmann, B. & Zaddach, W.-G., 01.05.2024, Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice. Voigts, E., Auer, R. M., Elflein, D., Kunas, S., Röhnert, J. & Seelinger, C. (eds.). Bielefeld: transcript Verlag, p. 217-231 15 p. (Digitale Gesellschaft; vol. 64).

    Research output: Contributions to collected editions/worksChapterpeer-review

  13. 2025
  14. Published

    Songwriting Camps. Kollaborative Praxis zwischen Songwriting-Tradition und musikwirtschaftlicher Transformation

    Wernicke, C., Zaddach, W.-G., Ahlers, M. & Herbst, J.-P., 01.03.2025, Musik in der spätmodernen Gesellschaft: Analysen – Positionen – Perspektiven. Pfleiderer, M., Just, S., Wernicke, C. & Jost, C. (eds.). 2025: Waxmann Verlag, p. 197-218

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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