Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Main research areas

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. 2025
  2. Published

    Walking Text and Writing Space: Reflections on Ladinidad in Guatemala

    Eduardo, N. D. C. & Eduardo Dávila, S., 31.03.2025, Raum - Theorie - Empirie: Ein Arbeitsbuch. Dlabaja, C., Nimführ, S. & Goez, N. (eds.). Springer Fachmedien Wiesbaden GmbH, p. 209–228 20 p. (Forschung und Praxis an der FHWien der WKW).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. 2024
  4. Published

    Maintenance-(Art)Work und die Arbeit am eigenen Bild

    Kuhn, E., 01.12.2024, In: Zeitschrift für Kunstgeschichte. 87, 4, p. 452-472 21 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Desecularising Culture in Method: Five Theses on Syncretism

    Eduardo Dávila, S., 18.07.2024, Berlin : Forum Transregionale Studien e.V.

    Research output: other publicationsArticles in scientific forums or blogsResearchpeer-review

  6. Published

    Edgar Calels "Skulpturale Erdarbeit" Umkreisen, Überfliegen und sich Danebenlegen

    Eduardo Dávila, S., 06.2024, In: Texte zur Kunst. 134, p. 149-160 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Border plants: globalisation as shown to us by the women living at its leading edge

    Kuhn, E., 25.01.2024, Coercion and Wage Labour: Exploring Work Relations through History and Art. Batista, A., Müller, V. F. & Peres, C. (eds.). London: UCL Press, p. 225-245 21 p. 10. (Work around the world: studies in global labour history).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. In preparation

    Der Avantgardefilm. Filmgeschichte kompakt

    Kuhn, E., 2024, (In preparation) München: edition text+kritik. (Filmgeschichte kompakt)

    Research output: Books and anthologiesMonographsResearch

  9. In preparation

    Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

    Kuhn, E. & Glasenapp, J. (Editor), 2024, (In preparation) edition text+kritik. (Film|Lektüren)

    Research output: Books and anthologiesMonographsResearch

  10. 2023
  11. Published

    The Anamnesis of Matter: Lyotard and the Immatériaux

    Broeckmann, A., 04.12.2023, Therapie der Dinge?: Materialität und Psychoanalyse in Literatur, Film und bildender Kunst. Danebrock, F. & Bartelmus, M. (eds.). Bielefeld: transcript Verlag, p. 49-59 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  12. Published

    Feministische Ökonomien und Zeitlichkeit

    Kuhn, E. (Editor), 04.10.2023, Berlin : AvivA Verlag. 200 p. (Frauen und Film; no. 71)

    Research output: Books and anthologiesSpecial Journal issueResearch

  13. Published

    Editorial

    Kuhn, E., 01.10.2023, In: Frauen und Film. 71, p. 5-6 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  14. Published

    Mit Film- und Hausarbeit gegen die Kapitalisierung von Zeit (Jeanne Dielman und Fannie Drayton)

    Kuhn, E., 01.10.2023, In: Frauen und Film. 71, p. 7-24 18 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  15. Published

    The Archival Research on Les Immatériaux

    Broeckmann, A. & Vicet, M., 08.2023, Beyond Matter, Within Space: Curatorial and Art Mediation Techniques on the Verge of Virtual Reality. Nolasco-Rózsás, L. & Schädler, M. (eds.). Berlin: Hatje Cantz Verlag, p. 215-222 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  16. Published

    Taktilität des Blickens in Portrait de la jeune fille en feu (Céline Sciamma, 2019)

    Kuhn, E., 31.05.2023, Ins Bild kommen : Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 204-209 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  17. Published

    Dadadatadada: From Dada to Data and Back Again

    Kölmel, M.-J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 23-40 18 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  18. Published

    Introduction: From Dada Tricks to Post-Truth Politics

    Kölmel, M.-J. & Hegenbart, S., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 1-20

    Research output: Contributions to collected editions/worksChapterpeer-review

  19. Published

    The Digital Revolution as Counter-Revolution

    Simon, J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 197-212 16 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  20. Published

    Machina ex artificium. Zur Maschinenästhetik im künstlerischen Werk Ralf Baeckers.

    Broeckmann, A., 01.2023, Ralf Baecker. Cybernetic Imaginaries.. Seiffahrt, C. (ed.). Berlin: Distanz Verlag, p. 22-27 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  21. Published

    Anamnesis of Architecture.

    Broeckmann, A., 2023, Uccellini e uccellacci.: East of the City.. Leal, M. (ed.). Porto, Portugal: i2ADS Edições, p. 107-128 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  22. Published

    A Psychiatric Clinic, a Monastery, a City and a River: On the (Artistic) Legibility of Disappearance in Topography

    Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Wulff, N., Sieber, J. & Schneider, T. (eds.). Berlin/Zürich: Diaphanes Verlag, p. 209-236 28 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  23. Published

    In the Aftermath of Violence. On Being Present and Calling Into Presence

    Taylor, D., Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Schneider, T., Sieber, J. & Wulff, N. (eds.). Zürich: Diaphanes Verlag, p. 159-176 18 p. ( Critical stances).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  24. Published

    In the Making: In the Desert of Modernity: Colonial Planning and After ; Traversing a Project Exhibition

    von Osten, M., Buchmann, S. (Editor), Leeb, S. (Editor) & Spillmann, P. (Editor), 2023, Berlin: b-books. 236 p. (PoLYpeN)

    Research output: Books and anthologiesMonographsResearchpeer-review

  25. Accepted/In press

    Leben-Filmen. Jonas Mekas’ Taktik des Augenblicks

    Kuhn, E., 2023, (Accepted/In press) Wilhelm Fink Verlag. (Film Denken)

    Research output: Books and anthologiesMonographsResearch

  26. Published

    On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

    Eduardo Dávila, S. (Editor), John, R. H. (Editor), Jordan, U. (Editor), Wulff, N. (Editor), Sieber, J. (Editor) & Schneider, T. (Editor), 2023, Berlin/Zürich: Diaphanes Verlag. 384 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  27. 2022
  28. Published

    Aspekte der Maschinenästhetik

    Broeckmann, A., 12.12.2022, Technik-Ästhetik : Zur Theorie techno-ästhetischer Realität. Ruf, O. & Grabbe, L. (eds.). Bielefeld: transcript Verlag, p. 125-144 20 p. ( Medien- und Gestaltungsästhetik; vol. 12).

    Research output: Contributions to collected editions/worksChapter

  29. Published

    Museums, Transculturality and the Nation-State: Case Studies from a Global Context

    Leeb, S. (Editor) & Samuel, N. (Editor), 27.05.2022, Bielefeld: transcript Verlag. 248 p. (Edition Museum; vol. 52)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  30. Published

    Museums, Transculturality, and the Nation-State: Some Remarks on their Entanglement

    Leeb, S., 27.05.2022, Museums, Transculturality and the Nation-State: Case Studies from a Global Context. Leeb, S. & Samuel, N. (eds.). Bielefeld: transcript Verlag, p. 7-16 10 p. (Museum; vol. 52).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  31. Published

    Achtundsechzig antikolonial: Szenen militanter Kunst- und Filmproduktion und Implikationen für eine (Kunst)Geschichtsschreibung

    Leeb, S., 05.03.2022, Dreizehn Beiträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: transcript Verlag, p. 27-61 35 p. (Image; vol. 202).

    Research output: Contributions to collected editions/worksChapterpeer-review

  32. Published

    The Lawless Vitality of Sculpture, c. 1960-80. Formalism’s Monsters, Cybernetic Breakdowns and the Joys of Deviation

    Nachtigall, J., 01.01.2022, Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s. Dander, P. & Linhardt, F. (eds.). Berlin: Deutscher Kunstverlag, p. 113-123 11 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  33. Published

    Recht und Kultur

    Ausberg, I., Welzel, C., Jamme, C., Reimer, F. & Leeb, S. (Contributor), 2022, Rechtsgespräche: Recht im Kontext von Innovation | Entrepreneurship Nachhaltigkeit | Kultur | Europa. Terhechte, J. (ed.). Baden-Baden: Nomos Verlagsgesellschaft, p. 39-62 24 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  34. 2021
  35. Published

    Art Work as Life Work: Lu Märten’s Feminist “Objectivity”

    Nachtigall, J. & Stakemeier, K., 20.12.2021, In: October. 178, p. 35-54 20 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  36. Published

    Lu Märten: An Introduction to Four Texts

    Nachtigall, J. & Stakemeier, K., 20.12.2021, In: October. 178, p. 3-14 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  37. Published

    "Der Tyrann braucht zerbrochene Seelen": Susanne Leeb über Rajkamal Kahlon

    Leeb, S., 09.2021, In: Lerchenfeld. 58, p. 25-28 4 p.

    Research output: Journal contributionsJournal articlesResearch

  38. Published

    Artistic Research on Anonymity

    Silvestrin, D. & Broeckmann, A., 03.04.2021, Book of Anonymity: An edited collection. Collective, A. (ed.). Brooklyn: punctum books, p. 35-67 33 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  39. Published

    Glänzen, Blicken, Flickern. Das Prinzip der Glimpses in AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY

    Kuhn, E., 2021, In: Film-Konzepte. 61, p. 55-70 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  40. Published

    Hollis Frampton: ADSVMVS ABSVMVS : In memory of Hollis William Frampton, Sr., 1913–1980 : abest

    Breimaier, A. (Editor) & Gründig, M. (Editor), 2021, Essen: Folkwang Universität der Künste. 196 p. (Folkwang Edition; vol. 007)

    Research output: Books and anthologiesExhibition cataloguesTransfer

  41. 2020
  42. Published

    Hollis Frampton: Photographs

    Breimaier, A., 26.11.2020, 12 p. London : The Burlington Magazine Publication Ltd.

    Research output: other publicationsArticles in scientific forums or blogsTransfer

  43. Published

    PROPERTY / EIGENTUM: Thematic Issue of "Texte zur Kunst", Nr. 117

    Abt, N. (Editor), Graw, I. (Editor), Leeb, S. (Editor) & Stakemeier, K. (Editor), 03.2020, Berlin: TEXTE ZUR KUNST Verlag. 253 p. (Texte zur Kunst; vol. 30, no. 117)

    Research output: Books and anthologiesSpecial Journal issueResearch

  44. Published

    Property/Eigentum. Vorwort

    Leeb, S., Abt, N., Stakemeier, K. & Graw, I., 03.2020, In: Texte zur Kunst. 30, 117, p. 6-7 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  45. Published

    Unerhörte Musen

    Kuhn, E., 2020, In: Filmbulletin. Zeitschrift für Film und Kino. 62, 384, p. 34-35 2 p.

    Research output: Journal contributionsJournal articlesResearch

  46. 2019
  47. Published

    On the Difficulty of Forgetting: Recollections of the Basel Symposium on Chantal Akerman

    Kuhn, E. & Holl, U., 01.05.2019, In: Camera Obscura. 34, 1, p. 163-183 21 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  48. Published

    Ian White – Cinema as a Live Art / Becoming Object

    Breimaier, A. (Editor), 03.2019, Berlin: Edition Living Archive. 63 p.

    Research output: Books and anthologiesExhibition cataloguesTransfer

  49. Published

    Books on World Art from the 1920s: On the Ambivalence of a Discursive Awakening

    Leeb, S., 2019, Bauhaus Imaginista: Die globale Rezeption bis heute. von Osten, M. & Watson, G. (eds.). Zürich: Scheidegger & Spiess, p. 106-111 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  50. Published

    Coexistence: Entretien avec Mathilde ter Heijne

    Leeb, S., 2019, In: Les Cahiers du Musée national d'art moderne. 2019, 147, p. 106-111 6 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  51. 2018
  52. Published

    Comedy of Deviation: Tamar Getter's Hēliotropion Cycle

    Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  53. Published

    Der Kunstraum

    Leeb, S., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1. ed. Berlin: Pro BUSINESS Verlag, p. 229-231 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  54. Published

    Im-Mobile Kadragen zwischen Lebenswelt und Kunst: Oder: zwei kinematografische Figuren von Chantal Akerman

    Kuhn, E., 2018, Projektion & Reflexion: Das Medium Film in Kunst und Literatur : le cinéma dans l'art et la littérature. Haupt, S. & Ruf, O. (eds.). Bielefeld: transcript Verlag, p. 199-217 19 p. (Medien- und Gestaltungsästhetik; vol. 6).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  55. 2017
  56. Published

    Idioms: The Minor ‘A’s of Art

    Leeb, S., 12.2017, In: Texte zur Kunst. 27, 108, p. 32-56 25 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  57. Published

    Idioms – Languages of Art, Thematic issue of Texte zur Kunst, Nr. 108

    Leeb, S. (Editor) & Thomann, M. (Editor), 12.2017, Berlin: TEXTE ZUR KUNST Verlag. 263 p. (Texte zur Kunst; vol. 27, no. 108)

    Research output: Books and anthologiesSpecial Journal issueResearch

  58. Published

    Idiome: Die kleinen ks der Kunst

    Leeb, S., 03.2017, In: Texte zur Kunst. 108, p. 33-56 24 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  59. Published

    Lokalzeit oder die Gegenwart der Antike

    Leeb, S., 03.2017, In: Texte zur Kunst. 27, 105, p. 99-117 19 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

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