Professorship for Contemporary Art
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.
Main research areas
Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.
The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.
Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice.
The Archipelago Lab also regularly invites contemporary artists and cultural producers.
The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.
With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.
- Published
Comedy of Deviation: Tamar Getter's Hēliotropion Cycle
Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Published
Conflicting Evidence
Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Dadadatadada: From Dada to Data and Back Again
Kölmel, M.-J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 23-40 18 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- In preparation
Der Avantgardefilm. Filmgeschichte kompakt
Kuhn, E., 2024, (In preparation) München: edition text+kritik. (Filmgeschichte kompakt)Research output: Books and anthologies › Monographs › Research
- Published
Der Kunstraum
Leeb, S., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1. ed. Berlin: Pro BUSINESS Verlag, p. 229-231 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Der PC im Atelier: Interviews mit Albert Oehlen, Monique Prieto, Torsten Slama, Chris Finley und Thomas Ruff von Susanne Leeb
Leeb, S. A., 1999, In: Texte zur Kunst. 9, 36, p. 48-75 28 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
"Der Tyrann braucht zerbrochene Seelen": Susanne Leeb über Rajkamal Kahlon
Leeb, S., 09.2021, In: Lerchenfeld. 58, p. 25-28 4 p.Research output: Journal contributions › Journal articles › Research
- Published
Der Unort von Karten und das Nirgendwo der Kunst: Drei Weisen der Entortung
Leeb, S. A., 2012, KartenWissen: Territoriale Räume zwischen Bild und Diagramm. Günzel, S. & Novack, L. (eds.). Wiesbaden: Reichert, p. 315-340 26 p. (Trierer Beiträge zu den historischen Kulturwissenschaften; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Desecularising Culture in Method: Five Theses on Syncretism
Eduardo Dávila, S., 18.07.2024, Berlin : Forum Transregionale Studien e.V.Research output: other publications › Articles in scientific forums or blogs › Research › peer-review
- Published
Des einen Freud, des anderen Leid
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 39, p. 197-199 3 p.Research output: Journal contributions › Critical reviews › Research