Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Streifen und Glätten: Die Erfindung einer neuen Organisation
Nigro, R., 2019, Maschinen, Fabriken, Industrien: Tausend Maschinen, Fabriken des Wissens, Industrien der Kreativität. Raunig, G. (ed.). Wien: Transversal Texts, p. 147-157 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Volker Neuhaus, Per Ohrgaard, Jörg-philipp Thomsa (Hrsg.): Freipass. Schriften der Günter und Ute Grass Stiftung, Christoph Links Verlag, Berlin. Bd. 1, 2015, 296 S.; Bd. 2, 2016, 328 S.; Bd. 3: Widerhall auf das Jahr der Revolten 1968, 2018, 360 S.
Klinkenbusch, I., 01.01.2019, In: Zeitschrift für Germanistik. 29, 3, p. 663-665 3 p.Research output: Journal contributions › Critical reviews › Research
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Aesthetics of the Earth. Reframing Relational Aesthetics Considering Critical Ecologies
Brunner, C. & Kleesattel, I., 2019, In: Proceedings of the European Society for Aesthetics. 11, p. 106-125 20 p.Research output: Journal contributions › Conference article in journal › Research › peer-review
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Ian White – Cinema as a Live Art / Becoming Object
Breimaier, A. (Editor), 03.2019, Berlin: Edition Living Archive. 63 p.Research output: Books and anthologies › Exhibition catalogues › Transfer
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Καλλιτέχνιδες, φίλες, αδερφές, νοικοκυρές, ερωμένες, εργαζόμενες ... Ο απόηχος της φεμινιστικής καλλιτεχνικής πρωτοπορίας
Bempeza, S., 2019, In: Feministiqa. 2019, 2, p. 253-265 13 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Feministische Streikpraktiken: Die Verweigerung im Kunstfeld und das Unbehagen der Kreativität
Bempeza, S., 2019, In: Genderstudies. 35, p. 12-14 3 p.Research output: Journal contributions › Journal articles › Transfer
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Geschichte(n) des Kunststreiks
Bempeza, S., 2019, Wien: Transversal Texts. 194 p.Research output: Books and anthologies › Monographs › Research › peer-review
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Rez: Volker Neuhaus, Per Ohrgaard, Jörg-Philipp Thomsa (Hg.): Freipass. Schriften der Günter und Ute Grass Stiftung, Bd. 1, Bd. 2, Bd. 3: Widerhall auf das Jahr der Revolten 1968
Klinkenbusch, I. L., 2019, In: Zeitschrift für Germanistik. 29, 3, p. 663-665 3 p.Research output: Journal contributions › Critical reviews › Research
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Bruderpaar der Literatur: Die populäre Rezeption Heinrich Manns und Thomas Manns in den 1920er Jahren
Klinkenbusch, I. L., 2019, In: Thomas Mann Jahrbuch. 32, p. 109-123 15 p.Research output: Journal contributions › Journal articles › Research
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Polyphone Ästhetik. Eine kritische Situierung.
Bempeza, S., Brunner, C., Hausladen, K., Kleesattel, I. & Sonderegger, R., 16.12.2019, Wien: Transversal Texts. 178 p.Research output: Books and anthologies › Monographs › Research › peer-review