Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Aspekte der Maschinenästhetik
Broeckmann, A., 12.12.2022, Technik-Ästhetik : Zur Theorie techno-ästhetischer Realität. Ruf, O. & Grabbe, L. (eds.). Bielefeld: transcript Verlag, p. 125-144 20 p. ( Medien- und Gestaltungsästhetik; vol. 12).Research output: Contributions to collected editions/works › Chapter
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"Oh, You are a Scientist!" Elsa Glaser and Art History
Rother, L. & Koss, M., 11.2022, The Collector Curt Glaser: From Champion of Modernism to Refugee. Haldemann, A. & Rauser, J. (eds.). Berlin: Deutscher Kunstverlag, p. 14-19 6 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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„Rasse“ und Naturteleologie bei Kant: Zum Rassismusproblem der Vernunft
Mateo, M. M. & Stubenrauch, H., 26.10.2022, In: Deutsche Zeitschrift fur Philosophie. 70, 4, p. 619-640 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Transcending the Locality of Grassroots Initiatives: Diffusion of Sustainability Knowledge and Practice through Transdisciplinary Research
Ortíz, W. & Vilsmaier, U., 01.10.2022, In: Sustainability. 14, 19, 17 p., 12259.Research output: Journal contributions › Journal articles › Research › peer-review
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Transgenerational Audiovisual Narration in Revolutionary Women: Ella
Gerhardt, U., 2022, Lene Markusen: Mythbiographies. : I Premiati di Villa Romana 2021. Angelika Stepken, F. (ed.). Florenz: Villa Romana, p. 37-39 3 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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„Ghostly Embodiments“
Gerhardt, U., 2021, Irina Gheorghe, Methods for the Study of What Is Not There. Quante, N. (ed.). Berlin: Bierke Verlag, 1 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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Sankt – Female Identities in the Post-Utopian (Synopsis)
Gerhardt, U., 01.04.2019, Sisters Alike: Female Identities in the Post-Utopian. Markusen, L. (ed.). Leipzig: Spector Books, p. 30 1 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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GRAD (Synopsis)
Gerhardt, U., 01.04.2019, Sisters Alike: Female Identities in the Post-Utopian. Markusen, L. (ed.). Leipzig: Spector Books, p. 108 1 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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Rituals of Coexistence: Bodies and Technology during Pandemics
Forster, Y., 01.09.2022, In: INTERLITTERARIA. 27, 1, p. 84-98 15 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Die documenta – ein Konflikt-Feld: Beuys und die Persuasion
von Xylander, C. & Wuggenig, U., 31.07.2022, Die Welten der documenta: Wissen und Geltung eines Großereignisses in der Kunst. Buckermann, P. (ed.). 1 ed. Weilerswist: Velbrück Wissenschaft, p. 130-163 33 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research