Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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(Post)Colonial Histories: Trauma, Memory and Reconciliation in the Context of the Angolan Civil War
Jager, B. (Editor) & Hobuß, S. (Editor), 01.01.2017, Bielefeld: transcript Verlag. 259 p. (Postcolonial Studies; vol. 26)Research output: Books and anthologies › Book
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Erinnerungsakte. Kollektives Gedächtnis und die Rolle der verhandelten Erinnerung
Hobuß, S., 01.01.2021, Erinnerungen an Unrecht. : Arabisch-deutsche Perspektiven. Dhouib, S. (ed.). Weilerswist: Velbrück Wissenschaft, p. 42-58 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Wilhelm Worringer: Schriften - Band 1
Söntgen, B. (Editor), Grebing, H. (Editor) & Böhringer, H. (Editor), 2014, 1 ed. München: Wilhelm Fink Verlag. 1504 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Materialität der Diagramme: Kunst und Theorie
Leeb, S. (Editor), 2012, 1 ed. Berlin: b-books. 272 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Julius Meier-Graefe und die plurale Logik der Bilder
Marchal, S., 2016, In: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft. 61, 1, p. 97-118 22 p.Research output: Journal contributions › Journal articles › Research
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Hans von Marées als entwicklungsgeschichtlicher Gipfelpunkt moderner Malerei? Zum Bildverständnis von Julius Meier-Graefe
Marchal, S., 2017, Julius Meier-Graefe: Grenzgänger der Künste. Becker, I. & Marchal, S. (eds.). Berlin: Deutscher Kunstverlag, p. 149-161 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Along the Path of the Pine, the Parrot, and the Tortoise: Warburg’s Image Vehicles, Fourteenth-Century Italian Painting, and the Textile Arts
Schulz, V.-S., 2018, Liminal Spaces of Art between Europe and the Middle East. Prijatelj Pavičić, I. (ed.). Cambridge, p. 142–160Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Schriftgestöber und geritztes Gold: Orientalisierende Inschriften in der italienischen Tafelmalerei um 1300
Schulz, V.-S., 2018, Zeichentragende Artefakte im sakralen Raum: Zwischen Präsenz und UnSichtbarkeit. Keil, W. E., Kiyanrad, S., Theis , C. & Willer, L. (eds.). Berlin, p. 215–244Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Das Parlament der Dinge: Transmateriale und transmediale Dynamiken, Bild-Ding-Relationen und - ‘Meta-Artefakt-Malerei’
Schulz, V.-S., 2018, In: Artium Quaestiones. 29, p. 25–62Research output: Journal contributions › Journal articles › Research › peer-review
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Foucault heute : neue Perspektiven in Philosophie und Kulturwissenschaft, Edition Moderne Postmoderne
Rainsborough, M., 07.11.2018, Bielefeld: transcript Verlag. 246 p. (Edition Moderne Postmoderne)Research output: Books and anthologies › Book