Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2016
- Published
Wie verändert sich Kunst, wenn sie zur Tätigkeit ohne Werk wird
Nigro, R., 2016, Wie verändert sich Kunst, wenn man sie als Forschung versteht?. Siegmund, J. (ed.). Bielefeld: transcript Verlag, p. 199-214 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Wir haben ja alle Deutschland nicht gekannt: Das Deutschlandbild der Deutschen in der Zeit der Weimarer Republik
Kemp, W. K., 2016, Heidelberg: Heidelberg University Publishing. 479 p.Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Kreativitätsbegriffe. Von der Kritik zu Assimilation, Vergiftung, Ausschlag: Vorwort zur Neuauflage von Kritik der Kreativität
Wuggenig, U., 01.2016, Kritik der Kreativität. Raunig, G. & Wuggenig, U. (eds.). Wien: Transversal Texts, p. 11-70 60 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Kritik der Kreativität
Raunig, G. (Editor) & Wuggenig, U. (Editor), 01.2016, 1 ed. Wien: Transversal Texts. 530 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Machine Art in the Twentieth Century
Broeckmann, A., 01.01.2016, Cambridge, MA: The MIT Press. 388 p. (Leonardo Book Series)Research output: Books and anthologies › Book
- Published
Mariology, Calvinism, Painting: Interiority in Pieter de Hooch's Mother at a Cradle
Söntgen, B. E., 01.01.2016, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). 1 ed. Walter de Gruyter, p. 175-193 19 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Formen der Kunstrezeption in der Moderne: Übertragung (Diderot) und Reflexion (Greenberg)
Söntgen, B. E., 03.2016, Handbuch Sprache in der Kunstkommunikation. Hausendorf, H. & Müller, M. (eds.). Berlin: Walter de Gruyter, p. 135-152 18 p. (Handbücher Sprachwissen; vol. 16).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Mit Wut ans Bild: Beate Söntgen über Joan Mitchell im Museum Ludwig, Köln
Söntgen, B. E., 03.2016, In: Texte zur Kunst. 26, 101, p. 171-174 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Suspending the Post-Communist Condition: The Generational Break and its Peculiarities
Gerhardt, U., 03.2016, In: The Journal of Modern Art History Department – Faculty of Philosophy – University of Belgrade. 12, p. 239-249 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Introduction: Queer Theory after "Marriage Equality"
Trott, B., 04.2016, In: South Atlantic Quarterly. 115, 2, p. 400-404 5 p.Research output: Journal contributions › Journal articles › Research