Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2015
- Published
Blättern, wenden, wiegen, zahlen: Mediale Konvertierungen und Konversionen in der Malerei um 1500
Kuhn, H., 2015, Medien des Heiligen. Balke, F., Siegert, B. & Vogl, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 97-109 13 p. (Archiv für Mediengeschichte; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Conceptual Dimensions of Embodiment
Förster, Y., 2015, In: METABODY - Journal of Metacultural Critique. 1, p. 32-33 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Das Arbiträre und das Universelle: Über Pierre Bourdieus Soziologie der Kunst
Wuggenig, U., 2015, Pierre Bourdieu. Kunst und Kultur: Kunst und künstlerisches Feld. Schriften zur Kultursoziologie 4. Schultheis, F. & Egger, S. (eds.). Berlin: Suhrkamp Verlag, Vol. 12.2. p. 480-546 67 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Das Wahre im Künstlichen: Edgar Degas‘ Die Orchestermusiker
Mordhorst, S., 2015, Monet und die Geburt des Impressionismus. Krämer, F. (ed.). München, London, New York: Prestel Verlag, p. 169-182 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Democracy After Post-Politics: A Reply to Näsström and Kalm
Trott, B., 2015, In: Global Discourse: An Interdisciplinary Journal of Current Affairs and Applied Contemporary Thought. 5, 4, p. 574-578 5 p.Research output: Journal contributions › Journal articles › Research
- Published
Dem Willen des Kindes folgen? - Das Kindeswohl zwischen Gegenwart und Zukunft
Schües, C., 2015, Rettende Geschwister: Ethische Aspekte der Einwilligung in der pädiatrischen Stammzelltransplantation. Schües, C. & Rehmann-Sutter , C. (eds.). Münster : mentis Verlag, p. 215 - 239 25 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Der explizite Betrachter: zur Rezeption zeitgenössischer Kunst
Kemp, W. K., 2015, Konstanz : Konstanz University Press. 242 p.Research output: Books and anthologies › Monographs › Education › peer-review
- Published
Die Kunst der Anderen: "Weltkunst" und die anthropologische Konfiguration der Moderne
Leeb, S. A., 2015, Berlin: b-books. 320 p. (PoLYpeN)Research output: Books and anthologies › Monographs › Transfer › peer-review
- Published
Die leibhaftige Münze: Quentin Massys' Goldwäger und die altniederländische Malerei
Kuhn, H., 2015, Paderborn: Wilhelm Fink Verlag. 415 p.Research output: Books and anthologies › Monographs › Research
- Published
Die universale Sprache der vewaltungstechnischen Abstraktion. Zur Darstellung von Kolonialgeschichte in Dierk Schmidts Die Teilung der Erde. Tableaux zu rechtlichen Synopsen der Berliner Afrika-Konferenz (2005-2007)
Leeb, S. A., 2015, total.: Universalismus und Partikularismus in post_kolonialer Medientheorie. Bergermann, U. & Heidenreich, N. (eds.). Bielefeld: transcript Verlag, p. 269-289 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review