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Institute of Philosophy and Art History

Organisational unit: Institute

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Organisation profile

The institute consists of two departments: philosophy and art history.

Main research areas

Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).

The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).

With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.

The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.

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  1. 2023
  2. Published

    Dadadatadada: From Dada to Data and Back Again

    Kölmel, M.-J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 23-40 18 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  3. Published

    Introduction: From Dada Tricks to Post-Truth Politics

    Kölmel, M.-J. & Hegenbart, S., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 1-20

    Research output: Contributions to collected editions/works › Chapter › peer-review

  4. Published

    The Digital Revolution as Counter-Revolution

    Simon, J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 197-212 16 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  5. Published

    Dada Data: Contemporary Art in the Era of Post-Truth Politics

    Hegenbart, S. (Editor) & Kölmel, M.-J. (Editor), 23.02.2023, Bloomsbury Academic. 304 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  6. Published

    Machina ex artificium. Zur Maschinenästhetik im künstlerischen Werk Ralf Baeckers.

    Broeckmann, A., 01.2023, Ralf Baecker. Cybernetic Imaginaries.. Seiffahrt, C. (ed.). Berlin: Distanz Verlag, p. 22-27 6 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  7. Published

    Aby Warburg and the Art of Translation

    Costa, M. T., 2023, Lessico Warburghiano : The Borrowings of Science in Aby Warburg's Art Writings. Mazzucco, K. & Strozzi, B. P. (eds.). Polistampa Publishing House, p. 37-44 8 p. (The Notebooks of the Colombaria; vol. 9).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  8. Published

    Anamnesis of Architecture.

    Broeckmann, A., 2023, Uccellini e uccellacci.: East of the City.. Leal, M. (ed.). Porto, Portugal: i2ADS Edições, p. 107-128 12 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  9. Published

    Antispecismi e letture di Marx: Una rassegna critica

    Stefanoni, C., 2023, La lingua resa: Dal silenzio animale all'antispecismo. Sottile, G. & Tigani, F. (eds.). Rome: Aracne Editrice, p. 127-143

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  10. Published

    A Psychiatric Clinic, a Monastery, a City and a River: On the (Artistic) Legibility of Disappearance in Topography

    Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Wulff, N., Sieber, J. & Schneider, T. (eds.). Berlin/Zürich: Diaphanes Verlag, p. 209-236 28 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  11. Published

    Critique de la morale sacerdotale et pouvoir pastoral

    Nigro, R., 2023, In: Cahiers Philosophiques. 175, p. 117-128 32 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  12. Published

    Das Kunsthistorische Institut in Florenz (Max-Planck-Institut) und die Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte in Rom

    Costa, M. T., 2023, Berlin: Max-Planck-Institut für Wissenschaftsgeschichte. (Publikationsreihe des Forschungsprogramms Geschichte der Max-Planck-Gesellschaft)

    Research output: Books and anthologies › Monographs › Research › peer-review

  13. Published

    Die Contessa und der Comte: Virginia Oldoini und Olympe Aguado: Frühe Autorenfotografie und ihr Umgang mit Studio und Hintergrund

    Berents-Kemp, C. & Kemp, W., 2023, In: Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie. 43, 170, p. 5-12 8 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  14. Published

    Formen teilhabender Kritik: Philosophische, mediale und künstlerische Perspektiven

    Brunner, C., Nigro, R. & Bippus, E., 2023, Mediale Teilhabe: Partizipation zwischen Anspruch und Inanspruchnahme . Ochsner, B. (ed.). Lüneburg: meson press, p. 193-209 17 p. 7

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  15. Published

    "How Bad Was He? Let Me Count the Ways": Auguste Renoir and His Critics of the 1980s

    Mehl, I. & Söntgen, B., 2023, Judgement Practices in the Artistic Field. Söntgen, B., Heymer , E., Locher, H., Marchal, S. & Sachs-Resch, M. (eds.). München: edition metzel, p. 226-250 25 p. (Praktiken der Kritik; vol. 3).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  16. Published

    Ins Bild kommen: Spielräume der Kunstkritik

    Hosseini, A. (Editor), Kipke, A. (Editor), Kuhn, H. (Editor) & Woisnitza, M. (Editor), 2023, Paderborn: Brill | Fink. 234 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  17. Published

    Ins Bild kommen: Spielräume der Kunstkritik

    Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M., 2023, Ins Bild kommen : Spielräume der Kunstkritik . Kipke, A., Woisnitza, M., Hosseini, A. & Kuhn, H. (eds.). Paderborn: Brill | Fink, p. xv-xxi 7 p.

    Research output: Contributions to collected editions/works › Other › Research

  18. Published

    Institutionalisierte Institutionskritik: Lynn Rother über ,Wege der Kunst’ im Museum Rietberg, Zürich, sowie ,Zerrissene Moderne’ und ,Der Sammler Curt Glaser’ im Kunstmuseum Basel

    Rother, L., 2023, In: Texte zur Kunst. 33, 131, p. 214-219 6 p.

    Research output: Journal contributions › Journal articles › Research

  19. Published

    In the Aftermath of Violence. On Being Present and Calling Into Presence

    Taylor, D., Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Schneider, T., Sieber, J. & Wulff, N. (eds.). Zürich: Diaphanes Verlag, p. 159-176 18 p. ( Critical stances).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  20. Published

    In the Making: In the Desert of Modernity: Colonial Planning and After ; Traversing a Project Exhibition

    von Osten, M., Buchmann, S. (Editor), Leeb, S. (Editor) & Spillmann, P. (Editor), 2023, Berlin: b-books. 236 p. (PoLYpeN)

    Research output: Books and anthologies › Monographs › Research › peer-review

  21. Published

    Introducing VISU: Vagueness, Incompleteness, Subjectivity, and Uncertainty in Art Provenance Data

    Mariani, F., 2023, Computational Methods in the Humanities 2022 : Proceedings of the Workshop on Computational Methods in the Humanities 2022 Lausanne, Switzerland, June 9–10, 2022.. Rochat, Y., Metrailler, C. & Piotrowski, M. (eds.). Aachen: Sun Site Central Europe (RWTH Aachen University), Vol. 3602. p. 63-84 22 p. (CEUR Workshop Proceedings; vol. 3602).

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

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