Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2015
- Published
Der explizite Betrachter: zur Rezeption zeitgenössischer Kunst
Kemp, W. K., 2015, Konstanz : Konstanz University Press. 242 p.Research output: Books and anthologies › Monographs › Education › peer-review
- Published
Die Kunst der Anderen: "Weltkunst" und die anthropologische Konfiguration der Moderne
Leeb, S. A., 2015, Berlin: b-books. 320 p. (PoLYpeN)Research output: Books and anthologies › Monographs › Transfer › peer-review
- Published
Die leibhaftige Münze: Quentin Massys' Goldwäger und die altniederländische Malerei
Kuhn, H., 2015, Paderborn: Wilhelm Fink Verlag. 415 p.Research output: Books and anthologies › Monographs › Research
- Published
Die universale Sprache der vewaltungstechnischen Abstraktion. Zur Darstellung von Kolonialgeschichte in Dierk Schmidts Die Teilung der Erde. Tableaux zu rechtlichen Synopsen der Berliner Afrika-Konferenz (2005-2007)
Leeb, S. A., 2015, total.: Universalismus und Partikularismus in post_kolonialer Medientheorie. Bergermann, U. & Heidenreich, N. (eds.). Bielefeld: transcript Verlag, p. 269-289 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Dokumente avant la lettre: Eine Spurensuche um 1900
Brons, F., 2015, Wie Bilder Dokumente wurden: Zur Genealogie dokumentarischer Darstellungspraktiken. Wöhrer, R. (ed.). Berlin: Kulturverlag Kadmos , p. 103-119 17 p. ( Kaleidogramme; vol. 119).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Einleitung
Schefczyk, M. & Schmidt-Petri, C., 2015, John Stuart Mill, Ausgewählte Werke Band III/2 : (Freiheit, Fortschritt und die Aufgaben des Staates: Wirtschaft und Staat). Schefczyk, M. & Schmidt-Petri, C. (eds.). Berlin: Walter de Gruyter, p. 1-10 11 p. (Klassiker Auslegen; vol. 47).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Entangled – But How?
Leeb, S. A., 2015, Art in the Periphery of the Center . Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 210-219 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Exposition eines Mediums: Internationale Photographische Ausstellung Dresden 1909
Brons, F., 2015, München: Wilhelm Fink Verlag. 496 p.Research output: Books and anthologies › Monographs › Research
- Published
Formen des Kontakts: Auguste Renoirs Nach dem Mittagessen
Söntgen, B. E., 2015, Monet und die Geburt des Impressionsmus. Krämer, F. (ed.). München: Prestel Verlag, p. 183-193 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
From the Household of the Soul to the Economy of Money: What Are Sixteenth-Century Merchants Doing in the Virgin Mary's Interior?
Kuhn, H., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). Berlin: Walter de Gruyter, p. 229-246 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
From the Precariat to the Multitude
Trott, B., 2015, Precariat: Labour, Work and Politics. Johnson, M. (ed.). London: Routledge Taylor & Francis Group, p. 22-45 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Für eine „Farbenlehre der Worte“. Julius Meier-Graefe und die ‚neue‘ Kunstkritik
Marchal, S., 2015, Wie Texte und Bilder zusammenfinden : Vom Mittelalter bis zur Gegenwart. Kroll, R., Gramatzki, S. & Karnatz, S. (eds.). Dietrich Reimer Verlag, p. 125-136 12 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Grounds different from, though equally solid with: Wirtschaftliche und gesellschaftliche Freiheit in On Liberty
Schefczyk, M., 2015, John Stuart Mill. Über die Freiheit. Schefczyk, M. & Schramme, T. (eds.). Berlin : Walter de Gruyter, Vol. 47. p. 115-135 21 p. (Klassikr auslegen; vol. 47).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Hannah Arendt
Schües, C., 2015, Die deutschen Philosophie im 20. Jahrhundert: Ein Autorenhandbuch. Bedorf, T. & Gelhard , A. (eds.). 2. überarbeitete und korrigierte Auflage ed. Darmstadt : Wissenschaftliche Buchgesellschaft - WBG, p. 31-37 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Image Noise
Brons, F., 2015, The Technical Image : A History of Styles within Scientific Images. Bredekamp, H., Dünkel, V. & Schneider, B. (eds.). 1 ed. Chicago: Chicago University Press, p. 138 - 141 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
In the Eye of the Beholder: Emanuel Goldberg's Apparatuses at the International Photographic Exhibition Dresden 1909
Brons, F., 2015, The Technical Image: a history of styles in scientific imagery. Bredekamp, H., V. D. & Schneider, B. (eds.). Chicago: Chicago University Press, p. 102 - 111 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
John Stuart Mill: Über die Freiheit
Schefczyk, M. (Editor) & Schramme, T. (Editor), 2015, 1 ed. Berlin [u.a.]: Walter de Gruyter. 206 p. (Klassiker auslegen; vol. 47)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Jonas Mekas' Mnemotaktik oder: LOST LOST LOST, ein filmisches Gedächtnis
Kuhn, E., 2015, Kino und Erinnerung. Schmidt, S., von Keitz, U. & Haake, S. (eds.). Marburg: Schüren Verlag, p. 47-62 16 p. (Augenblick – Konstanzer Hefte zur Medienwissenschaft; vol. 61).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Julius Meier-Graefe -" a laconic art historian"
Marchal, S., 2015, Silence / Schweigen : Über die stumme Praxis der Kunst. Beyer, A. & Le Bon, L. (eds.). Berlin: Deutscher Kunstverlag, p. 183-194 12 p. (Passagen / Passages; vol. 47).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Karl Jaspers:Die Schuldfrage
Schefczyk, M., 2015, Lexikon der "Vergangenheitsbewältigung“ in Deutschland.: Debatten‐ und Diskursgeschichte des Nationalsozialismus nach 1945. Fischer, T. & Lorenz, M. (eds.). 3 ed. Bielefeld: transcript Verlag, p. 49-51 3 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research