Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2022
- Published
Museums, Transculturality and the Nation-State: Case Studies from a Global Context
Leeb, S. (Editor) & Samuel, N. (Editor), 27.05.2022, Bielefeld: transcript Verlag. 248 p. (Edition Museum; vol. 52)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Museums, Transculturality, and the Nation-State: Some Remarks on their Entanglement
Leeb, S., 27.05.2022, Museums, Transculturality and the Nation-State: Case Studies from a Global Context. Leeb, S. & Samuel, N. (eds.). Bielefeld: transcript Verlag, p. 7-16 10 p. (Museum; vol. 52).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Feminine Desire, Feminist Politics
Benezra, K., 01.04.2022, In: Critical Times: interventions in global critical theory . 5, 1, p. 227-233 7 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Ticio Escobar: Towards a Popular Art
Benezra, K., 01.04.2022, In: Journal of Latin American and Latinx Visual Culture. 4, 2, p. 86-94 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Why Art Criticism? A Reader
Söntgen, B. (Editor) & Voss, J. (Editor), 04.2022, Berlin: Hatje Cantz Verlag. 464 p.Research output: Books and anthologies › Collected editions and anthologies › Transfer
- Published
Achtundsechzig antikolonial: Szenen militanter Kunst- und Filmproduktion und Implikationen für eine (Kunst)Geschichtsschreibung
Leeb, S., 05.03.2022, Dreizehn Beiträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: transcript Verlag, p. 27-61 35 p. (Image; vol. 202).Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Accumulation and Subjectivity: Rethinking Marx in Latin America
Benezra, K. (Editor), 03.2022, New York: The State University of New York. 344 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Quipping Equipment: Apropos of Robots and Kantian Chatbots
von Xylander, C., 03.2022, In: Technology and Language. 3, 1, p. 82-103 22 p.Research output: Journal contributions › Journal articles › Research
- Published
Kwame Gyekye’s Critical Dialogue with Kant’s Ethics and its Political Consequences
Rainsborough, M., 19.01.2022, In: Estudos Kantianos [EK]. 9, 2, p. 53-68 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Sobre la transferencia: Lacan y Althusser
Benezra, K., 09.01.2022, In: Res Publica. 25, 1, p. 65-74 10 p.Research output: Journal contributions › Journal articles › Research › peer-review