Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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The Anonymity of the Habitus
Schües, C., 1999, In: Logos. 10, p. 4 - 15Research output: Journal contributions › Journal articles › Research
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Gespenstergespräche: Über einige Archive des Vergessenen und Institutionen der Psychoanalyse
Därmann, I. & Thiel, D., 1998, In: Phänomenologische Forschungen. 3, 2, p. 245-275 31 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Conflicting Apprehensions and the Question of Sensations
Schües, C., 1998, Alterity and Facticity, New Perspectives on Husserl. Depraz, N. & Zahavi, D. (eds.). Dordrecht: Wolters Kluwer, p. 139-162 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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On Freedom, Power, Justice: Feminist Perspectives
Schües, C., 1998, Cultural Otherness and Beyond. Gupta, C. & Chattopadhyaya , D. P. (eds.). Leiden, Boston, Köln: Brill, p. 181-204 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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From the ''end of art'' to historical accountability + Aesthetic ethic, philosophy, Germany
Heidbrink, L., 1997, In: Deutsche Zeitschrift fur Philosophie. 45, 5, p. 745-757 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Vom „Ende" der kunst zur historischen verantwortung
Heidbrink, L., 01.10.1997, In: Deutsche Zeitschrift fur Philosophie. 45, 5, p. 745-757 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Verständnis von und für Krieg?
Schües, C. & Schmidt, N. D., 1997, Krieg/War. Eine philosophische Auseinandersetzung aus feministischer Sicht. Wiener Philosophinnen Club (ed.). München: Wilhelm Fink Verlag, p. 175-184 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Hannah Arendt: Die Bewahrung des Neuen
Schües, C., 01.01.1997, Raumbildung / Bildungsräume: Über die Verräumlichung sozialer Prozesse. Ecarius, J. & Löw, M. (eds.). Opladen : Verlag Leske + Budrich, p. 123-144 22 p.Research output: Contributions to collected editions/works › Chapter
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Das Individuum zwischen Macht und Ohnmacht: Hannah Arendt – eine politische Denkerin
Schües, C., 1997, Jüdisches Denker im 20. Jahrhundert. Lehming, H. (ed.). Hamburg: EB-Verlag, p. 162-182 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Generative Probleme als transzendentaler Leitfaden?
Schües, C., 1996, Phänomenologische Forschungen: Im Auftrag der Deutschen Gesellschaft für phänomenologische Forschung.. Orth, E. W. & Lembeck, K.-H. (eds.). Freiburg, München: Verlag Karl Alber, Vol. 2. p. 206 - 222Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research