Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Der literarische Agent. Peter Hacks’ publizistische Netzwerke
Klinkenbusch, I. L., 2017, Auslaufmodell »DDR-Literatur«.: Essays und Dokumente. Berbig, R. (ed.). Berlin: Ch. Links Verlag, p. 71–80 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Der Kunstraum
Leeb, S., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1. ed. Berlin: Pro BUSINESS Verlag, p. 229-231 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
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Der Hosenfeld-Szpilman-Gedenkpreis: zur Konzeption
Därmann, I., 2006, Der Hosenfeld-Szpilman-Gedenkpreis: die Ansprachen beim Festakt am 11. Februar 2005 in der Universität Lüneburg. Därmann, I. (ed.). Lüneburg: UNIBUCH Verlag, p. 7-15 9 p. (Lüneburger Universitätsreden; vol. 7).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Der Hosenfeld-Szpilman-Gedenkpreis: die Ansprachen beim Festakt am 11. Februar 2005 in der Universität Lüneburg
Därmann, I. (Editor), 2006, 1. Aufl. ed. Lüneburg: UNIBUCH Verlag. 36 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Der Frankfurter und Homburger Freundeskreis (1796 - 1800)
Jamme, C. (Editor) & Völkel, F. (Editor), 2003, Stuttgart-Bad Cannstatt: Frommann-Holzboog Verlag. 436 p. (Specula - Hölderlin und der deutsche Idealismus; vol. 3)Research output: Books and anthologies › Collected editions and anthologies › Research
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Der explizite Betrachter: zur Rezeption zeitgenössischer Kunst
Kemp, W. K., 2015, Konstanz : Konstanz University Press. 242 p.Research output: Books and anthologies › Monographs › Education › peer-review
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Der Einstieg ins Studium als Gemeinschaftsaufgabe: Das Leuphana Semester
Beck, K., Blohm, M. C., Jürgens, A. & Prien-Ribcke, S., 2012, Einführung in die Studiengangsentwicklung. Brinker, T. & Tremp, P. (eds.). Bielefeld: WBV Bertelsmann Verlag, p. 147-155 9 p. (Deutsche Gesellschaft für Hochschuldidaktik; vol. 122).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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"Der Doppelprozeß des Nehmens und Gebens". Ernst Cassirer über Hölderlin
Jürgens, A., 2011, Wege in der Philosophie: Geschichte-Wissen-Recht-Transkulturalität. Dhouib, S. & Jürgens, A. (eds.). Weilerswist: Velbrück Wissenschaft, p. 91-104 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Der/Die schlaflose Cyborg: Zur Performance „One Man Unit“ von Paul Wiersbinski und Wieland Schönfelder
Gerhardt, U. & Husse, S., 2012, Cynetart 2012. Trans-Media Akademie Hellerau (ed.). Dresden: Trans-Media-Akademie Hellerau e.V., p. 105-106 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Der Betrachter ist im Bild. Kunstwissenschaft und Rezeptionsästhetik
Kemp, W. (Editor), 1992, Berlin: Dietrich Reimer Verlag. 353 p.Research output: Books and anthologies › Collected editions and anthologies › Research