Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Hölderlin's theory of tragedy
Jamme, C., 2007, In: Civiltà del mediterraneo. 10/11, p. 39-48 10 p.Research output: Journal contributions › Journal articles › Research
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History of the Collection
Koss, M., 10.2024, where paintings live: A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn with a Text by Max Koss. Koss, M. & Lyn, A. (eds.). St. Gallen/Berlin: Vexer Verlag, p. 118-120Research output: Contributions to collected editions/works › Chapter
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Hilmer, Brigitte:: Scheinen des Begriffs: Hegels Logik der Kunst
Jamme, C., 2002, In: Jahrbuch für Hegelforschung. 6/7, p. 357-360 4 p.Research output: Journal contributions › Critical reviews › Research
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Hidden Value: Provenance as a Source for Economic and Social History
Rother, L., Mariani, F. & Koss, M., 25.05.2023, In: Jahrbuch fur Wirtschaftsgeschichte. 64, 1, p. 111-142 32 p.Research output: Journal contributions › Journal articles › Research › peer-review
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HGB Leipzig, Schiffbauerdamm, Ostkreuz: die Wende der ‚freien‘ Fotografie
Neugärtner, S., 10.2024, Die Fotografie und ihre Institutionen: von der Lehrsammlung zum Bundesinstitut. Schürmann, A. & Yacavone, K. (eds.). Berlin: Reimer Verlag, p. 131–147 17 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Heute - 1968 - 1950: Über die Höhen und Tiefen des Kreativitätsbegriffs
Wuggenig, U., 10.2017, In: Kunstforum international. 250, p. 102–115 14 p.Research output: Journal contributions › Journal articles › Transfer
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Heteronomisierung des ästhetischen Feldes. Kunst, Ökonomie und Unterhaltung im Urteil eines Avantgardekunst-Publikums
Wuggenig, U. & Behnke, C., 1994, Das symbolische Kapital der Lebensstile. Zur Kultursoziologie der Moderne nach Pierre Bourdieu. Mörth, I. & Fröhlich, G. (eds.). Frankfurt am Main: Campus Verlag, p. 229-253 25 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Hermann Schmitz - Leiblichkeit als kommunikatives Selbst- und Weltverhältnis
Andermann, K., 2012, Leiblichkeit: Begriff, Geschichte und Aktualität eines Konzepts. . Alloa, E., Bedorf, T., Grüny, C. & Klass, N. (eds.). Tübingen: Mohr Siebeck GmbH and Co. KG, p. 130-145 16 p. (UTB Philosophie, Soziologie; vol. 3633).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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H.-E. Richter: Bedenken gegen Anpassung. Psychoanalyse und Politik
Schües, C., 1996, In: Psychologische Literaturumschau. 1996, 3, p. 23-24 2 p.Research output: Journal contributions › Critical reviews › Research
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Heideggers Zeitbegriff in Sein und Zeit
Jamme, C., 2019, "Sein und Zeit" neu verhandelt: Untersuchungen zu Heideggers Hauptwerk. Heinz, M. & Bender, T. (eds.). 1 ed. Hamburg: Felix Meiner Verlag, Vol. 1. p. 289-297 9 p. (Blaue Reihe).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review