Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
Image Noise
Brons, F., 2015, The Technical Image : A History of Styles within Scientific Images. Bredekamp, H., Dünkel, V. & Schneider, B. (eds.). 1 ed. Chicago: Chicago University Press, p. 138 - 141 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
"Il duplice messaggio dell' effettivo poter-amare e del dover-morire": Gadamer e Rilke
Jamme, C., 2008, In: Paradigmi. 26, 3, p. 67-80 14 p.Research output: Journal contributions › Journal articles › Research
- Published
Il dibattito sull'immagine a partire dall'Iconic Turn
Costa, M. T., 2010, In: paradosso. 2010, p. 95-108Research output: Journal contributions › Journal articles › Research › peer-review
- Published
III. FORMAL CREATURES: GILLES CHÂTELET ’S METAPHORS
Woodard, B., 23.09.2019, Ghosts of Transparency: Shadows cast and shadows cast out. Doyle, M. R., Savic, S. & Bühlmann, V. (eds.). Berlin, Boston: Birkhäuser Verlag GmbH, p. 53-62 10 p. ( Applied Virtuality Book Series; vol. 13).Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
“IF I BROKE DOWN THE WALL OF FLESH”: Blurring the Human/Animal Distinction in the Slaughterhouse through Ivano Ferrari’s Poetry
Stefanoni, C., 12.11.2024, Violence and Harm in the Animal Industrial Complex: Human-Animal Entanglements. Hunnicutt, G., Twine, R. & Mentor, K. (eds.). Taylor and Francis Inc., p. 236-248 13 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Ieva Astahovska et al. (eds) Revisiting Footnotes. Footprints of the Recent Past in the Post‐Socialist Region. Riga: Latvian Centre for Contemporary Art, 2015.
Gerhardt, U., 06.2016, In: Journal of Soviet and Post- Soviet Politics and Society. 2, 1, p. 266-269 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Idioms – Languages of Art, Thematic issue of Texte zur Kunst, Nr. 108
Leeb, S. (Editor) & Thomann, M. (Editor), 12.2017, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 263 p. (Texte zur Kunst; vol. 27, no. 108)Research output: Books and anthologies › Special Journal issue › Research
- Published
Idioms: The Minor ‘A’s of Art
Leeb, S., 12.2017, In: Texte zur Kunst. 27, 108, p. 32-56 25 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
- Published
Idiome: Die kleinen ks der Kunst
Leeb, S., 03.2017, In: Texte zur Kunst. 108, p. 33-56 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
"Ich zeige dir, was du nicht siehst.": Francesca Woodmans Kraft
Söntgen, B., 2014, Francesca Woodman: Werke aus der Sammlung Verbund. Schor, G. & Bronfen, E. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 63-72 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review