Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2020
- Published
Friends and Family - the Reproduction of Queer Life
Trott, B., 2020, In: spheres - Journal for Digital Cultures. 6, 14 p.Research output: Journal contributions › Journal articles › Research
- Published
Heidegger reads Goethe. A polyphonic "Dialogue" (approx. 1910 to 1976)
Jamme, C., 2020, In: Goethe Jahrbuch. 137, p. 294-296 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Karlsruher Postmoderne: Das Mensch-Natur-Distanz-Festival (ZKM Karlsruhe 22.-24. Mai 2020)
von Xylander, C., 2020, In: Argument. 62, 1, p. 134-142 9 p.Research output: Journal contributions › Scientific review articles › Research
- Published
La Esencia Barroca de la Razón de Estado: Excepción y Regla en el Golpe de Estado Clasico y Moderno
Nigro, R., 2020, Filosofías del Barroco. González García , M. & Castignani , H. (eds.). Madrid: Tecnos Edicion, p. 551-567 17 p. 17Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Provenance Research in Museums: The Long Run
Rother, L. & Schmeisser, I., 2020, Provenance Research Today: Principles, Practice, Problems. Tompkins, A. (ed.). London: Lund Humphries, p. 106-116 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Queer Berlin and the Covid-19 Crisis: A Politics of Contact and Ethics of Care
Trott, B., 2020, In: Interface: A Journal for and About Social Movements. 12, 1, p. 88-108 21 p.Research output: Journal contributions › Journal articles › Research
- Published
The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"
Woisnitza, M., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 297-324 28 p. (Critical stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Unerhörte Musen
Kuhn, E., 2020, In: Filmbulletin. Zeitschrift für Film und Kino. 62, 384, p. 34-35 2 p.Research output: Journal contributions › Journal articles › Research
- Published
Wissen. Wahrheit. Macht. Foucaults "Morphologie des Willens zum Wissen": Der Wille zum Wissen (1970/71)
Andermann, K., 2020, Fragmente eines Willens zum Wissen: Michel Foucaults Vorlesungen 1970-1984. Vogelmann, F. (ed.). Berlin: J.B. Metzler, p. 19-33 15 p. (Philosophie & Kritik. Neue Beiträge zur politischen Philosophie und Kritischen Theorie).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2019
- Published
Polyphone Ästhetik. Eine kritische Situierung.
Bempeza, S., Brunner, C., Hausladen, K., Kleesattel, I. & Sonderegger, R., 16.12.2019, Wien: Transversal Texts. 178 p.Research output: Books and anthologies › Monographs › Research › peer-review