Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Die Zweite Kopernikanische Wende: Kritik und Affekt nach Kant, Adorno und Deleuze
Stubenrauch, H., 2022, Göttingen: Konstanz University Press. 259 p.Research output: Books and anthologies › Monographs › Research
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Meme Therapy: Auf der Suche nach Heilung in Geisterzeichnungen, Therapie-Notizbüchern und Trauma-Tagebüchern
Kipke, A., 2022, In: Kunstforum international. 279, p. 104-111 8 p.Research output: Journal contributions › Journal articles › Transfer
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Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed
Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Why Art Criticism? A Reader
Söntgen, B. (Editor) & Voss, J. (Editor), 04.2022, Berlin: Hatje Cantz Verlag. 464 p.Research output: Books and anthologies › Collected editions and anthologies › Transfer
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What Will This Century Be Known As?: Deleuze and Resistance for Theory
Zimnik, N., 12.1998, In: Film-Philosophy. 2, 1, 4 p.Research output: Journal contributions › Journal articles › Research
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Umgebungswissen. Zum Wert von Nachlässen für die Kunstgeschichte
Söntgen, B., 10.2021, Heute, heute, nur nicht morgen...: Wer bestimmt unser Kunsterbe?. Köln: Salon Verlag , p. 30-32 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Ein Déjà-coup-d’état-Erlebnis? Kayfabe-Politik als Netzwerkeffekt
von Xylander, C., 2021, In: Das Argument. 63, 4, p. 530-559 30 p.Research output: Journal contributions › Journal articles › Research
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Quipping Equipment: Apropos of Robots and Kantian Chatbots
von Xylander, C., 03.2022, In: Technology and Language. 3, 1, p. 82-103 22 p.Research output: Journal contributions › Journal articles › Research
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The Lawless Vitality of Sculpture, c. 1960-80. Formalism’s Monsters, Cybernetic Breakdowns and the Joys of Deviation
Nachtigall, J., 01.01.2022, Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s. Dander, P. & Linhardt, F. (eds.). Berlin: Deutscher Kunstverlag, p. 113-123 11 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums
Rother, L., Koss, M. & Mariani, F., 19.12.2022, Perspectives on Data. Lew Fry, E. & Canning, E. (eds.). Chicago: Art Institute of Chicago, 31 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review