Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Returning to Class? – Eribon and ‘Identity Politics’ in the Time of Trump
Trott, B., 02.2018, In: Berkeley Journal of Sociology. 61, FebruarResearch output: Journal contributions › Journal articles › Research
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Comedy of Deviation: Tamar Getter's Hēliotropion Cycle
Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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»daß ich an all diese Flußgötter denke«. Zur politischen Dimension anachronistischen Imaginierens in Durs Grünbeins 'Grauzone morgens'
Jürgens, A., 30.06.2018, Formen des Sprechens, Modi des Schweigens.: Sprache und Diktatur. Dhouib, S. (ed.). Weilerswist: Velbrück Wissenschaft, p. 266-274 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Palaces, Stars and Abeceda. The Body as Indexical Reader in Post-Socialist Art by CORO Collective, Cooltūristės and Paulina Olowska
Gerhardt, U., 01.08.2018, Moving Images, Mobile Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts. Avram, H. (ed.). Newcastle: Cambridge Scholars Publishing, p. 161-180 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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III. FORMAL CREATURES: GILLES CHÂTELET ’S METAPHORS
Woodard, B., 23.09.2019, Ghosts of Transparency: Shadows cast and shadows cast out. Doyle, M. R., Savic, S. & Bühlmann, V. (eds.). Berlin, Boston: Birkhäuser Verlag, p. 53-62 10 p. ( Applied Virtuality Book Series; vol. 13).Research output: Contributions to collected editions/works › Chapter › peer-review
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Inexistent Ink: Michael Cisco and Quentin Meillassoux on Writing Worlds: Geocriticism and Spatial Literary Studies
Woodard, B., 18.11.2019, Spaces and Fictions of the Weird and the Fantastic : Ecologies, Geographies, Oddities. Greve, J. & Zappe, F. (eds.). Palgrave Macmillan, p. 149-164 16 p. (Geocriticism and Spatial Literary Studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Digitale Medien, Partizipation und Ungleichheit: eine Studie zum sozialen Gebrauch des Internets
Rudolph, S., 08.07.2019, Wiesbaden: Springer VS. 394 p.Research output: Books and anthologies › Book
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Charakterbilder und Projektionsfiguren: Chodowieckis Kupfer, Goethes Werther und die Darstellungstheorie in der Aufklärung
Schütz, A. C., 2019, Göttingen: Wallstein Verlag. 358 p. (Das achtzehnte Jahrhundert Supplementa ; vol. 26)Research output: Books and anthologies › Book
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Artificial intelligence: Invisible agencies in the folds of technological cultures
Förster, Y., 01.10.2019, The Democratization of Artificial Intelligence: Net Politics in the Era of Learning Algorithms. Sudmann, A. (ed.). transcript Verlag, p. 175-188 14 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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The Machine as Artist as Myth
Broeckmann, A., 20.02.2019, In: Arts. 8, 1, 10 p., 25.Research output: Journal contributions › Journal articles › Research › peer-review