Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Birth
Schües, C., 2017, The Routledge companion to philosophy of medicine. Solomon, M., Simon, J. & Kincaid , H. (eds.). New York: Routledge Taylor & Francis Group, p. 103 - 114 12 p. (Routledge philosophy companions).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Randzonen des Willens: Anthropologische und ethische Probleme von Entscheidungen in Grenzsituationen
Moos, T. (Editor), Rehmann-Sutter , C. (Editor) & Schües, C. (Editor), 10.05.2016, Frankfurt : Peter Lang Verlag. 370 p. (Praktische Philosophie kontrovers; vol. 6)Research output: Books and anthologies › Collected editions and anthologies › Research
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Wie verändert sich Kunst, wenn sie zur Tätigkeit ohne Werk wird
Nigro, R., 2016, Wie verändert sich Kunst, wenn man sie als Forschung versteht?. Siegmund, J. (ed.). Bielefeld: transcript Verlag, p. 199-214 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Die Kunst der Stunde. Susanne Leeb über Kader Attia im Museum für Moderne Kunst, Frankfurt/M.
Leeb, S., 12.2016, In: Texte zur Kunst. 104, p. 204-209 6 p.Research output: Journal contributions › Critical reviews › Research
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Élie Faures Cineplastik oder vom Kino und Bilden der Künste
Kuhn, E., 2016, In: Regards Croisés. 5, p. 50-61 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Film Implosion! Ein Rundgang durch den ausgestellten Film.
Kuhn, E., 2016, In: Filmbulletin. Zeitschrift für Film und Kino. 58, 1, p. 20-21 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Alltag als Form des Widerstands. Oder: Vom Haushalt mit den Bildern. Zum Kino von Chantal Akerman
Kuhn, E., 09.2016, In: Filmbulletin. Zeitschrift für Film und Kino. 58, 6, p. 54-58 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Fahrten & Fährten: Zur Kamera in Eric Hattans Videoräumen
Kuhn, E., 2016, Eric Hattan Works: Werke Œuvres 1979–2015. Spira, A. & Eitel, L. (eds.). Berlin: Holzwarth Publications, p. 175-185 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Schichten und der Zwischenraum: Über Ästhetik und Funktion von Scheiben im 3D-Film am Beispiel von Martin Scorseses HUGO
Kuhn, E., 2016, Scheiben: Medien der Durchsicht und Reflexion. Göttel, D. & Krautkrämer, F. (eds.). Bielefeld: transcript Verlag, p. 89-103 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The “Fragment on Machines” as Science Fiction; Or, Reading the Grundrisse Politically
Trott, B., 14.07.2018, In: Cambridge Journal of Economics. 42, 4, p. 1107-1122 16 p.Research output: Journal contributions › Journal articles › Research › peer-review