Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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"Wahrheit für die Phantasie": der junge Hegel und Herder
Jamme, C., 2010, Zwischen Bild und Begriff. Gaier, U. & Simon, R. (eds.). Paderborn: Wilhelm Fink Verlag, p. 237-250 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Walter Benjamin: a New Positive Concept of Destruction
Costa, M. T., 2011, In: Philosophy Study. 1, 2(2011), p. 150-158Research output: Journal contributions › Journal articles › Research › peer-review
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Walter Benjamin, Il compito del traduttore, edizione critica e nuova traduzione
Costa, M. T., 2023, Milano-Udine: Mimesis Edizioni.Research output: Books and anthologies › Book
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Warum Diderot? Eine Projektskizze
Söntgen, B., 2013, In: Texte zur Kunst. 90, June, p. 61-70 10 p.Research output: Journal contributions › Critical reviews › Transfer
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Was gibt der Generativität Sinn? Über Geburt, Zeit und Narrativität
Schües, C., 2012, In statu nascendi: Geborensein und intergenerative Dimension des menschlichen Miteinanderseins. Shchyttsova, T. (ed.). Nordhausen: Verlag Traugott Bautz GmbH, p. 89 - 107 19 p. (Libri nigri; vol. 13).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Was heißt eigentlich Nachbarschaft? Flüchtlingslager – Orte und Nicht-Orte, Nachbarn und Nicht-Nachbarn
Schües, C., 2015, In: weiter denken. Journal für Philosophie. 26, p. 4-10 7 p.Research output: Journal contributions › Journal articles › Research
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Was ist Kunst? Antworten aus soziologischer Perspektive
Wuggenig, U., 1994, Was ist Kunst?. Fein, M. & Freis, M. (eds.). Lüneburg: Universität Lüneburg, p. 5-13 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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"Was ist tragisch"? Nietzsches und Heideggers Erfindungen der griechischen Tragödie im Widerstreit
Därmann, I., 2005, Heidegger und Nietzsche. Denker, A., Zaborowski, H., Heinz, M., Sallis, J. & Vedder, B. (eds.). Freiburg, Breisgau: Verlag Karl Alber, p. 206-221 16 p. (Heidegger-Jahrbuch; vol. 2).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Wassily Kandinsky - Biografie
Vietmeier, M., 2008, Kandinsky: Das druckgrafische Werk ; [anlässlich der Ausstellung Kandinsky - Das Druckgrafische Werk, Lenbachhaus München, 25.10.2008 - 22.2.2009 ; Kunstmuseum Bonn, 2.4.2009 - 12.7.2009]. Friedel, H. & Hoberg, A. (eds.). Köln: Wienand Verlag, p. 67-74 8 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
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Wasting Billions of Dollars for the Arts?
Behnke, C., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., V. K. & Wuggenig, U. (eds.). Berlin, New York: Sternberg Press, p. 440-456 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer