Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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"Faktisch unwiderstehlich und doch immer noch anfechtbar": Philosophische Überlegungen zum Verhältnis von Dekonstruktion und Evidenz
Hobuß, S., 2011, Dekonstruktion und Evidenz: Ver(un)sicherungen in Medienkulturen. Thomas, T., Hobuß, S., Kruse, M.-M. & Hennig, I. (eds.). Sulzbach/Taunus: Ulrike Helmer Verlag, p. 43-63 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Familienbande und Beziehungsmuster: Zum Ornamentalen in Édouard Vuillards Grand Intérieur
Söntgen, B., 2012, Ornament: Motiv - Modus - Bild. Beyer, V. & Spies, C. (eds.). Paderborn: Wilhelm Fink Verlag, p. 91-115 25 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture
Mola, I. F. & Wuggenig, U., 2022, Arts and Power: Policies in and by the Arts. Gaupp, L., Barber-Kersovan, A. & Kirchberg, V. (eds.). 1 ed. Wiesbaden: Springer VS, p. 155-193 39 p. 9. (Kunst und Gesellschaft).Research output: Contributions to collected editions/works › Chapter
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Femina Subtetrix: A Feminist Look at the APACA Textile Factory: Femina Subtetrix at Ivan Gallery, Bucharest, September 10 - October 3, 2015
Gerhardt, U., 06.05.2016Research output: other publications › Articles in scientific forums or blogs › Research
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Feminine Desire, Feminist Politics
Benezra, K., 01.04.2022, In: Critical Times: interventions in global critical theory . 5, 1, p. 227-233 7 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Feministische Ökonomien und Zeitlichkeit
Kuhn, E. (Editor), 04.10.2023, Berlin : AvivA Verlag. 200 p. (Frauen und Film; no. 71)Research output: Books and anthologies › Special Journal issue › Research
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Feministisches Maschinendenken. Subjektphilosophische und wissenschaftskritische Perspektiven
Stammberger, B., 11.2013, In: Freiburger Zeitschrift für Geschlechterstudien. 19, 2, p. 89-108 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Feministische Streikpraktiken: Die Verweigerung im Kunstfeld und das Unbehagen der Kreativität
Bempeza, S., 2019, In: Genderstudies. 35, p. 12-14 3 p.Research output: Journal contributions › Journal articles › Transfer
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Figuren der Blindheit in der Kunst von Javier Téllez, James Coleman und Tamar Getter
Leeb, S. A., 2016, Anderes Wissen: Kunstformen der Theorie. Busch, K. (ed.). 1 ed. Paderborn: Verlag der Merz Akademie, p. 206-241 37 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Figuren der Teilhabe in Mischa Kuballs NEW POTT
Söntgen, B., 31.08.2012, Neue Bezugsfelder in Kunst und Gesellschaft. New relations in art and society: anlässlich der Tagung "New Relations in Art & Society" (21./22. Januar 2011 im Campusmuseum der Kunstsammlungen der Ruhr-Universität Bochum) und der dort realisierten Ausstellung "Mischa Kuball: New Pott. 100 Lichter/100 Gesichter" (28. Oktober 2010 -10. Juli 2011. Wappler, F. (ed.). Zürich: JRP Ringier Verlag, p. 94-105 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review