Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Dadadatadada: From Dada to Data and Back Again
Kölmel, M.-J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M.-J. (eds.). Bloomsbury Publishing Plc., p. 23-40 18 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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Dal rifiuto del lavoro alla moltitudine. La filosofia sovversiva di Toni Negri
Nigro, R., 25.06.2024, Rom: DeriveApprodi. 176 p.Research output: Books and anthologies › Monographs › Research › peer-review
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Das Amerikabild der Deutschen: Außenansichten I
Wuggenig, U., 1989, Aspekte amerikanischer Kultur. Beneke, J., Jarman, F. & Whybra, D. (eds.). Hildesheim: Georg Olms Verlag AG, p. 17-44 28 p. ( Hildesheimer Beiträge zu den Erziehungs- und Sozialwissenschaften. Studien, Texte, Entwürfe; vol. 31).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Das Arbiträre und das Universelle: Über Pierre Bourdieus Soziologie der Kunst
Wuggenig, U., 2015, Pierre Bourdieu. Kunst und Kultur: Kunst und künstlerisches Feld. Schriften zur Kultursoziologie 4. Schultheis, F. & Egger, S. (eds.). Berlin: Suhrkamp Verlag, Vol. 12.2. p. 480-546 67 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Das Band der Affekte: Relationalität in Spinozas immanenter Ontologie der Menge
Andermann, K., 01.10.2016, Das soziale Band: Geschichte und Gegenwart eines sozialtheoretischen Grundbegriffs. Bedorf, T. & Herrmann, S. (eds.). Frankfurt/New York: Campus Verlag, p. 311-332 22 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Bild, die Bilder und das Hyperimage: Schluss mit der Beliebigkeit der Bilderflut
Kemp, W. K., 2014, In: Kunstchronik. 67, 11, p. 558-563 5 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Das Empire, der Nordwesten und der Rest der Welt: die "internationale zeitgenössische Kunst" im Zeitalter der Globalisierung
Wuggenig, U., 2002, In: transversal / EIPCP multilingual webjournal. 2002, 9, 10 p.Research output: Journal contributions › Journal articles › Research
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Das Erbe des Idealismus
Jamme, C., 2009, In: Hegeru-tetsugaku-kenkyü. 15, p. 8-17 10 p.Research output: Journal contributions › Journal articles › Research
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Das Erbe des Idealismus
Jamme, C., 2012, Logik und Realität: Wie systematisch ist Hegels System?. Jamme, C. & Kubo, Y. (eds.). München: Wilhelm Fink Verlag, p. 19-28 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Das Individuum zwischen Macht und Ohnmacht: Hannah Arendt – eine politische Denkerin
Schües, C., 1997, Jüdisches Denker im 20. Jahrhundert. Lehming, H. (ed.). Hamburg: EB-Verlag, p. 162-182 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research