Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Zur Ökonomie und Geschichte der moralischen Grausamkeit: Nietzsche trifft Freud und Levinas
Därmann, I., 2001, Vernunft im Zeichen des Fremden: Zur Philosophie von Bernhard Waldenfels . Fischer, M., Gondek, H.-D. & Liebsch, B. (eds.). Frankfurt, Main: Suhrkamp Verlag, p. 254-277 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Zur philosophischen Bestimmung von Interkulturalität im Ausgang von Bernhard Waldenfels
Därmann, I., 2007, Philosophie der Responsivität: Festschrift für Bernhard Waldenfels . Busch, K. & Därmann, I. (eds.). München [u.a.]: Wilhelm Fink Verlag, p. 191-201 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Zur vollendeten Tatsache: Eine frankophone Kantkulturrezeption
von Xylander, C., 2021, Vollendete Tatsachen: Vom endgültig Vorläufigen und vorläufig Endgültigen in der Wissenschaft. von Xylander, C. & Nordmann, A. (eds.). Bielefeld: transcript Verlag, p. 395-466 73 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Zustände der Malerei: Über Thomas Eggerer in der Galerie Daniel Buchholz, Berlin
Leeb, S. A., 2010, In: Texte zur Kunst. 77, p. 219-224 6 p.Research output: Journal contributions › Critical reviews › Research
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Zwischen Animismus und Animation – Krieg und (Virtual) Reality bei Harun Farocki
Brunner, C., 09.2020, Affizierungs- und Teilhabeprozesse zwischen Organismen und Maschinen. Stock, R., Ochsner, B. & Nikolov, S. (eds.). Wiesbaden: Springer VS, p. 191-219 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Καλλιτέχνιδες, φίλες, αδερφές, νοικοκυρές, ερωμένες, εργαζόμενες ... Ο απόηχος της φεμινιστικής καλλιτεχνικής πρωτοπορίας
Bempeza, S., 2019, In: Feministiqa. 2019, 2, p. 253-265 13 p.Research output: Journal contributions › Journal articles › Transfer › peer-review