Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2001
  2. Published

    Notizen zum Interview

    Friedmann, R., Israel, U. & Pinseler, J., 2001, Zürich: Klipp & Klang Radiokurse. 32 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    Technologien als Diskurse: Konstruktionen von Wissen, Medien und Körpern

    Lösch, A. (Editor), Schrage, D. (Editor), Spreen, D. (Editor) & Stauff, M. (Editor), 2001, Heidelberg: Synchron. 256 p. (Diskursivitäten; vol. 5)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. 2000
  5. Published
  6. Published

    Augmented space: Reale, virtuelle und symbolische Räume

    Warnke, M., 2000, In: Zeitschrift für Semiotik. 22, 3-4, p. 486-487 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Augmented space: Real, virtual and symbolic spaces, a workshop held at the Universitat Luneburg, Germany, July 2000

    Warnke, M., 2000, In: Zeitschrift für Semiotik. 22, 3-4, p. 486-487 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Cyborgs und andere Techno-Körper: Ein Essay im Grenzbereich von Bios und Techne

    Spreen, D., 2000, 2. ed. Passau: Erster Deutscher Fantasy Club. 184 p. (Sekundärliterarische Reihe; vol. 27)

    Research output: Books and anthologiesMonographsResearchpeer-review

  9. Published

    Fernsehgewalt im gesellschaftlichen Kontext: eine Cultural-Studies-Analyse über Medienaneignung in Dominanzverhältnissen

    Röser, J., 2000, 1. ed. Wiesbaden: Westdeutscher Verlag. 362 p.

    Research output: Books and anthologiesMonographsResearch

  10. Published

    Kultur.Informatik 0.9

    Warnke, M., 2000, Lüneburg: Universität Lüneburg, 15 p.

    Research output: Working paperWorking papers

  11. Published

    Reality tv und reality computing - von der wundersamen Vermehrung der Realität

    Großmann, R., 2000, Artefakte Artefiktionen: crossovers between contemporary literatures, media, arts and architectures: for Christian W. Thomsen on the occasion of his 60th birthday. Krewani, A. (ed.). Heidelberg: Winter Universitätsverlag, p. 313-321 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  12. Published

    Schönheit und Ästhetizität: zur Verwissenschaftlichung künstlerischer Kategorien

    Großmann, R., 2000, In: Positionen. 44, p. 40-44 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review