Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2001
- Published
Notizen zum Interview
Friedmann, R., Israel, U. & Pinseler, J., 2001, Zürich: Klipp & Klang Radiokurse. 32 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Technologien als Diskurse: Konstruktionen von Wissen, Medien und Körpern
Lösch, A. (Editor), Schrage, D. (Editor), Spreen, D. (Editor) & Stauff, M. (Editor), 2001, Heidelberg: Synchron. 256 p. (Diskursivitäten; vol. 5)Research output: Books and anthologies › Collected editions and anthologies › Research
- 2000
- Published
Audiogestaltung und neue Medien: das Lüneburger Projekt "ästhetische Strategien in Multimedia und digitalen Netzen"
Großmann, R., 2000, In: Neue Zeitschrift für Musik : das Magazin für neue Töne. 161, 5, p. 50-51 2 p.Research output: Journal contributions › Journal articles › Research
- Published
Augmented space: Reale, virtuelle und symbolische Räume
Warnke, M., 2000, In: Zeitschrift für Semiotik. 22, 3-4, p. 486-487 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Augmented space: Real, virtual and symbolic spaces, a workshop held at the Universitat Luneburg, Germany, July 2000
Warnke, M., 2000, In: Zeitschrift für Semiotik. 22, 3-4, p. 486-487 2 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Cyborgs und andere Techno-Körper: Ein Essay im Grenzbereich von Bios und Techne
Spreen, D., 2000, 2. ed. Passau: Erster Deutscher Fantasy Club. 184 p. (Sekundärliterarische Reihe; vol. 27)Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Fernsehgewalt im gesellschaftlichen Kontext: eine Cultural-Studies-Analyse über Medienaneignung in Dominanzverhältnissen
Röser, J., 2000, 1. ed. Wiesbaden: Westdeutscher Verlag. 362 p.Research output: Books and anthologies › Monographs › Research
- Published
Kultur.Informatik 0.9
Warnke, M., 2000, Lüneburg: Universität Lüneburg, 15 p.Research output: Working paper › Working papers
- Published
Reality tv und reality computing - von der wundersamen Vermehrung der Realität
Großmann, R., 2000, Artefakte Artefiktionen: crossovers between contemporary literatures, media, arts and architectures: for Christian W. Thomsen on the occasion of his 60th birthday. Krewani, A. (ed.). Heidelberg: Winter Universitätsverlag, p. 313-321 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Schönheit und Ästhetizität: zur Verwissenschaftlichung künstlerischer Kategorien
Großmann, R., 2000, In: Positionen. 44, p. 40-44 5 p.Research output: Journal contributions › Journal articles › Research › peer-review