Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2005
  2. Published

    〉Welcome home, darling!〈 - John Fords »Rio Grande« und der geschlechterkampf an der frontier des Kalten Krieges

    Glasenapp, J., 2005, In: Weimarer Beiträge. 51, 3, p. 363-375 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. 2004
  4. Published

    Wissen und kulturelle Praxis - Audioarchive im Wandel

    Großmann, R., 31.12.2004, Wissensprozesse in der Netzwerkgesellschaft. Gendolla, P. & Schäfer, J. (eds.). Bielefeld: transcript Verlag, p. 239-256 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Fernsehen und Molekulare Medizin: Ein Forschungsprojekt

    Ruhrmann, G., Milde, J. & Hölig, S., 06.2004, In: GenomXPress. 2, p. 18-19 2 p.

    Research output: Journal contributionsJournal articlesResearch

  6. Published

    Medien- und Kommunikationsforschung: geschlechterkritische Studien zu Medien, Rezeption und Publikum

    Röser, J. & Wischermann, U., 01.01.2004, Handbuch Frauen- und Geschlechterforschung: Theorie, Methoden, Empirie . Becker, R. & Kortendiek, B. (eds.). Wiesbaden: Westdeutscher Verlag, p. 633-638 6 p. (Geschlecht & Gesellschaft; vol. 35).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Militainment als "banaler" Militarismus: auf dem Weg zu einer Militarisierung der politischen Kultur?

    Virchow, F. & Thomas, T., 01.01.2004, Krieg als Medienereignis II : Krisenkommunikation im 21. Jahrhundert. Löffelholz, M. (ed.). Wiesbaden: Westdeutscher Verlag, p. 297-325 29 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Anna Oppermann in der Hamburger Kunsthalle: "Öl auf Leinwand", "MKÜVO (Mach kleine , überschaubare, verkäufliche Objekte!)", "MKÜVO-Fensterecke"

    Pias, C., Warnke, M. (Editor) & Schneede, U. M. (Editor), 2004, Hamburg: Hamburger Kunsthalle . 47 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  9. Published
  10. Published

    Architektur einer Geschlechterkonstruktion: Der Potsdamer Platz aus der Perspektive der Gender Studies

    Bublitz, H. & Spreen, D., 2004, Potsdamer Platz: Soziologische Theorien zu einem Ort der Moderne. Fischer, J. & Makropoulos, M. (eds.). München: Wilhelm Fink Verlag, p. 139-157 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  11. Published

    Berechnetes Kino

    Warnke, M., 2004, Der Zeitpfeil im Digitalen: Synthese, Mimesis, Emergenz. Warnke, M. (ed.). Stuttgart: Stiftungs-Verbundkolleg Informationsgesellschaft, p. 16-26 11 p. (Stiftungsreihe).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  12. Published

    Bildersuche

    Warnke, M., 2004, Der Zeitpfeil im Digitalen: Synthese, Mimesis, Emergenz. Warnke, M. (ed.). Stuttgart: Stiftungs-Verbundkolleg Informationsgesellschaft, p. 27-39 13 p. (Stiftungsreihe).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch