Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Informatik: elementare Einführung in Entwurf, Analyse und maschinelle Verarbeitung von Algorithmen

    Warnke, M., 1989, München: Oldenbourg Schulbuchverl. 235 p.

    Research output: Books and anthologiesMonographsResearch

  2. Published

    Informatik: elementare Einführung in Entwurf, Analyse und maschinelle Verarbeitung von Algorithmen

    Warnke, M., 1991, 2. ed. München: Oldenbourg Schulbuchverl. 235 p.

    Research output: Books and anthologiesMonographsResearch

  3. Published

    EbsKart: die Ebstorfer Weltkarte in einer interaktiven Ausgabe

    Warnke, M., Wedemeyer, C., Siegert, P. F., Wilhelm, Y. & Keldenich, H., 2008

    Research output: Non-textual form typesHypermediaResearch

  4. Published

    Kultur.Informatik 0.9

    Warnke, M., 2000, Lüneburg: Universität Lüneburg, 15 p.

    Research output: Working paperWorking papers

  5. Published

    Actual virtuality: the arts

    Warnke, M., 2007, Lüneburg: Universität Lüneburg, 37 p.

    Research output: Working paperWorking papers

  6. Published

    In favour for the genetic principle

    Warnke, M., 2007, Medichi 2007: Methodic and Didactic Challanges of the History of Informatics. Böszörmenyi, L. (ed.). Wien: Österreichische Computer-Gesellschaft, p. 112-113 2 p. (booksocg.at; vol. 220).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Medienklangräume: medienästhetische Settings der Klanginstallation

    Großmann, R., 2010, Klangräume der Kunst. Kiefer, P. (ed.). Heidelberg: Kehrer Verlag Heidelberg, p. 291-304 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Distanzierte Verhältnisse? Zur Musikinstrumentalisierung der Reproduktionsmedien

    Großmann, R., 2010, Klang (ohne) Körper: Spuren und Potenziale des Körpers in der elektronischen Musik. Harenberg, M. & Weissberg, D. (eds.). Bielefeld: transcript Verlag, p. 183-200 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Size does matter

    Warnke, M., 2005, Zukünfte des Computers. Pias, C. (ed.). Zürich [u.a.]: Diaphanes Verlag, p. 17-27 11 p. (sequenzia).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Synthese, Mimesis, Emergenz: entlang des Zeitpfeils zwischen Berechenbarkeit und Kontingenz

    Warnke, M., 2005, Einbildungen. Huber, J. (ed.). Zürich: Edition Voldemeer, p. 75-92 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch