Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Medien – Krieg – Geschlecht: Affirmationen und Irritationen sozialer Ordnungen

    Thiele, M. (Editor), Thomas, T. (Editor) & Virchow, F. (Editor), 2010, Wiesbaden: VS Verlag für Sozialwissenschaften. 363 p. (Medien - Kultur - Kommunikation)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  2. Published

    Using the Domestication Approach for the Analysis of Diffusion and Participation Processes of New Media

    Peil, C. & Röser, J., 09.2012, The Social Use of Media: Cultural and Social Scientific Perspectives on Audience Research. Bilandzic, H., Patriarche, G. & Traudt, P. (eds.). Bristol: Intellect, p. 221-240 20 p. 12. (European Communication Research and Education Association).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Technologien als Diskurse: Konstruktionen von Wissen, Medien und Körpern

    Lösch, A. (Editor), Schrage, D. (Editor), Spreen, D. (Editor) & Stauff, M. (Editor), 2001, Heidelberg: Synchron. 256 p. (Diskursivitäten; vol. 5)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. Published

    Cyberspace

    Warnke, M., 2012, Lexikon der Raumphilosophie. Günzel, S. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 69 1 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  5. Published

    Weltlinie

    Warnke, M., 2012, Lexikon der Raumphilosophie. Günzel, S. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 451-452 2 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  6. Published

    Image Search

    Warnke, M., 2011, Algorithms of Power: Key Invisibles. Ludes, P. (ed.). 1 ed. Berlin: LIT Verlag, p. 61-68 8 p. (The world language of key visuals; no. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Mobilkommunikation in Japan: Zur kulturellen Infrastruktur der Handy-Aneignung

    Peil, C., 07.2011, Bielefeld: transcript Verlag. 390 p. (Cultural Studies; no. 38)

    Research output: Books and anthologiesMonographsResearch

  8. Published

    Lifestyle-TV zwischen Kritik und Attraktivität: Transkulturelle Perspektiven auf global gehandelte Fernsehformate

    Stehling, M. & Thomas, T., 2010, In: Medien + Erziehung. 54, 2, p. 22-29 8 p.

    Research output: Journal contributionsJournal articlesResearch

  9. Published

    Rückführung der Kunst in Medienpraxis: Verlangen die neuen Medien einen neuen Avantgarde-Begriff?

    Pelleter, M., 08.2010, In: Positionen. 84, p. 18-22 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Rezension zu Fahlenbrach, Kathrin/Brück, Ingrid/Bartsch, Anne

    Peil, C., 2010, In: TV-Diskurs. 14, Nr. 2, p. 95 1 p.

    Research output: Journal contributionsCritical reviewsResearch