Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Pythagoreismus
Berz, P., 2012, Friedrich Kittler, Technik oder Kunst?. Seitter, W. & Ott, M. (eds.). Wetzlar: Büchse der Pandora, p. 57-69 13 p. (Tumult.Schriften zur Verkehrswissenschaft; vol. 40).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die Identität der Amöben
Berz, P., 07.2013, Im Netz der Eindeutigkeiten. : Unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 189-218 30 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Networked Disruption: Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking
Bazzichelli, T., 2013, Aarhus: Aarhus University Press. 261 p.Research output: Books and anthologies › Monographs › Research › peer-review
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Repositionierungen: Von Machtverschiebungen im Kapitalismus und Feminismus
Bunz, M., 2013, In: Femina Politica. 21, 2, p. 161-162 2 p.Research output: Journal contributions › Journal articles › Research
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Kritische Öffentlichkeit und ihre Herstellung
Bunz, M., 2013, In: Zeitschrift für Medien- und Kulturforschung. 4, 2, p. 63-70 8 p.Research output: Journal contributions › Journal articles › Research
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The Power of Information: A Journey Back in Time to the Faultlines of Globalization, Art, and Media in the Early 1990s
Bunz, M., 2013, The whole earth: California and the disappearance of the outside. Diederichsen, D. & Franke, A. (eds.). Berlin: Sternberg Press, p. 172-176 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Der Schwerkraft entkommen: Letatlin und andere utopische Flugapparate in der Kunst des 20. Jahrhunderts – fünf Marginalien
Broeckmann, A., 2012, Tatlin – neue Kunst für eine neue Welt: Internationales Symposium. M. T. (ed.). Ostfildern, Basel: Hatje Cantz Verlag, p. 84-87 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Die Kunst zwischen Verdacht und Anspruch: Michael Scharang vor und nach dem "literarischen Realismus"
Schnödl, G., 2010, In: Temeswarer Beiträge zur Germanistik. 7, p. 335-350 16 p.Research output: Journal contributions › Journal articles › Research
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Politischer Möglichkeitssinn: Über das Engagement Robert Musils
Schnödl, G., 2008, Temeswarer Beiträge zur Germanistik VI. Nubert, R. (ed.). Timisoara: Mirton Verlag, Vol. 6. p. 215-332 18 p. (Temeswarer Beiträge zur Germanistik; vol. 6).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Zur Abkehr von Souverän und Natur in Alfred Döblins "Berge, Meere und Giganten"
Schnödl, G., 2010, Differenz und Hybridität: Grenzfiguren als literarischer Topos. Cornejo, R. (ed.). Wien: Praesens Verlag, p. 67-78 12 p. (Aussiger Beiträge; no. 4).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research