Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Pythagoreismus

    Berz, P., 2012, Friedrich Kittler, Technik oder Kunst?. Seitter, W. & Ott, M. (eds.). Wetzlar: Büchse der Pandora, p. 57-69 13 p. (Tumult.Schriften zur Verkehrswissenschaft; vol. 40).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Die Identität der Amöben

    Berz, P., 07.2013, Im Netz der Eindeutigkeiten. : Unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 189-218 30 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Networked Disruption: Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking

    Bazzichelli, T., 2013, Aarhus: Aarhus University Press. 261 p.

    Research output: Books and anthologiesMonographsResearchpeer-review

  4. Published

    Repositionierungen: Von Machtverschiebungen im Kapitalismus und Feminismus

    Bunz, M., 2013, In: Femina Politica. 21, 2, p. 161-162 2 p.

    Research output: Journal contributionsJournal articlesResearch

  5. Published

    Kritische Öffentlichkeit und ihre Herstellung

    Bunz, M., 2013, In: Zeitschrift für Medien- und Kulturforschung. 4, 2, p. 63-70 8 p.

    Research output: Journal contributionsJournal articlesResearch

  6. Published

    The Power of Information: A Journey Back in Time to the Faultlines of Globalization, Art, and Media in the Early 1990s

    Bunz, M., 2013, The whole earth: California and the disappearance of the outside. Diederichsen, D. & Franke, A. (eds.). Berlin: Sternberg Press, p. 172-176 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Der Schwerkraft entkommen: Letatlin und andere utopische Flugapparate in der Kunst des 20. Jahrhunderts – fünf Marginalien

    Broeckmann, A., 2012, Tatlin – neue Kunst für eine neue Welt: Internationales Symposium. M. T. (ed.). Ostfildern, Basel: Hatje Cantz Verlag, p. 84-87 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Die Kunst zwischen Verdacht und Anspruch: Michael Scharang vor und nach dem "literarischen Realismus"

    Schnödl, G., 2010, In: Temeswarer Beiträge zur Germanistik. 7, p. 335-350 16 p.

    Research output: Journal contributionsJournal articlesResearch

  9. Published

    Politischer Möglichkeitssinn: Über das Engagement Robert Musils

    Schnödl, G., 2008, Temeswarer Beiträge zur Germanistik VI. Nubert, R. (ed.). Timisoara: Mirton Verlag, Vol. 6. p. 215-332 18 p. (Temeswarer Beiträge zur Germanistik; vol. 6).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Zur Abkehr von Souverän und Natur in Alfred Döblins "Berge, Meere und Giganten"

    Schnödl, G., 2010, Differenz und Hybridität: Grenzfiguren als literarischer Topos. Cornejo, R. (ed.). Wien: Praesens Verlag, p. 67-78 12 p. (Aussiger Beiträge; no. 4).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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