Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Der Cyborg: Diskurse zwischen Körper und Technik
Spreen, D., 2010, Die Figur des Dritten: Ein kulturwissenschaftliches Paradigma. Eßlinger, E., Schlechtriemen, T., Schweitzer, D. & Zons, A. (eds.). Frankfurt am Main: Suhrkamp Verlag, p. 166-179 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Kurze Geschichte der Zeitmaschine: Eine etwas spekultative Beobachtung
Spreen, D., 1999, In: Quarber Merkur. 36, 89/90, p. 111-116 5 p.Research output: Journal contributions › Journal articles › Research
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Reichsflugscheiben und Wehrmachtsmythen: "Stahlfront" – rechtsextreme Unterhaltung als Science Fiction?
Spreen, D., 2009, Das Science Fiction Jahr 2009. Mamczak, S. & Jeschke, W. (eds.). München: Heyne, p. 425-468 48 p. (Das Science Fiction Jahr).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Kleine Massenmedien: Zum Verhältnis von produktiver Rezeption und massenkultureller Vergesellschaftung am Beispiel der Perry-Rhodan-Heftserie
Spreen, D., 2003, Spurensuche im All. Bollhöfener, K., Farin, K. & Spreen, D. (eds.). Berlin: Archiv der Jugendkulturen Verlag , p. 86-106 21 p. (Perry Rhodan Studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die Konstitutionsfunktion des Krieges: Konstitutionstheoretische Zugänge zum Krieg in der deutschen Gegenwartssoziologie
Spreen, D., 2010, Forschungsthema: Militär: militärische Organisationen im Spannungsfeld von Krieg, Gesellschaft und soldatischen Subjekten . Apelt, M. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 49 - 86 37 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Was bedeutet die Rede von Machtdispositiven?
Spreen, D., 2010, In: Ästhetik & Kommunikation. 41, 151, p. 97-103 6 p.Research output: Journal contributions › Journal articles › Research
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Kugelraumschiffe und andere runde Technologien
Spreen, D., 2010, In: JUNI. Magazin für Literatur und Kultur. 43/44, p. 206-220 15 p.Research output: Journal contributions › Journal articles › Transfer
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Prothesen, Aufschreibesysteme, Cyborgs
Spreen, D., 2013, In: Ästhetik & Kommunikation. 43, 158-159, p. 89-96 7 p.Research output: Journal contributions › Journal articles › Research
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Wider die Kriegsvergessenheit in der Sozialwissenschaft
Spreen, D., 2011, In: Ästhetik & Kommunikation. 42, 152-153, p. 33-40 8 p.Research output: Journal contributions › Journal articles › Research
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Cruelty and Total War: Political-Philosophical Preconditions of the Dissociation Mentality
Spreen, D., 2011, On Cruelty · Sur la cruauté · Über Grausamkeit. Köln: Rüdiger Köppe Verlag, p. 231-254 23 p. (Siegener Beiträge zur Soziologie; vol. 11).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
