Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Einleitung in den Schwerpunkt "Protokolle"
Leistert, O. & Shnayien, M., 2023, In: Zeitschrift für Medienwissenschaft. 15, 1, p. 10-17 8 p.Research output: Journal contributions › Journal articles › Research
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Liquidity, Flows, Circulation: The Cultural Logic of Environmentalization
Denecke, M. (Editor), Kuhn, H. (Editor) & Stürmer, M. (Editor), 01.2023, Diaphanes Verlag. 360 p.Research output: Books and anthologies › Collected editions and anthologies › Transfer
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Proof of Stake: Technological Claims
Beyes, T. (Editor), Denny, S. (Editor), Holt, R. (Editor), Pias, C. (Editor) & Steinbrügge, B. (Editor), 2023, Milan: Lenz Press. 204 p.Research output: Books and anthologies › Exhibition catalogues › Transfer
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Sicht von oben: Powers of Ten und Bildpolitiken der Vertikalität
Tollmann, V., 03.2022, Leipzig: Spector Books. 358 p.Research output: Books and anthologies › Monographs › Research
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Exploding Images
Tollmann, V., 2014, Every Whisper is a crash on my ears. Missa, A. (ed.). London: Arcadia Missa, p. 190-204 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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A Single Swing of the Shovel: Former West Proxies
Levin, B. & Tollmann, V., 2016, Former West: Art and the Contemporary after 1989. Hlavajova, M. & Sheikh, S. (eds.). Cambridge MA: The MIT Press, p. 519-534 16 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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Proxies
Kyong Chun, W. H., Levin, B. & Tollmann, V., 02.02.2021, Uncertain Archives: Critical Keywords for Big Data. Tylstrup, N. B., Agostinho, D., Ring, A., D'Ignazio, C. & Veel, K. (eds.). Cambridge MA: The MIT Press, p. 419-425 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Beweismaterial: Fotografie und ihr Rohstoffverbrauch
Tollmann, V., 2022, In: Springerin : Hefte für Gegenwartskunst. 28, 3, p. 10-11 2 p.Research output: Journal contributions › Journal articles › Transfer
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»HOW TO MAKE YOUR OWN SAMPLES«: Beat-Bildung, Zeit-Maschinen und Phonographizität zweiter Ordnung
Pelleter, M., 11.10.2022, HipHop im 21. Jahrhundert: Medialität, Tradierung, Gesellschaftskritik und Bildungsaspekte einer (Jugend-)Kultur. Wilke, T. & Rappe, M. (eds.). Wiesbaden: Springer, p. 331-346 16 p.Research output: Contributions to collected editions/works › Chapter
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In der Dämmerung: Studien zur Vor- und Frühgeschichte der Kritischen Theorie
Voller, C., 2022, Berlin: Matthes & Seitz Berlin. 414 p.Research output: Books and anthologies › Book