Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Hermann Bahr: Inventur
Schnödl, G. (Editor), 2011, Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar. 148 p. (Hermann Bahr – Kritische Schriften in Einzelausgaben (2004-2012))Research output: Books and anthologies › Monographs › Research › peer-review
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Hermann Bahr. Dalmatinische Reise
Schnödl, G. (Editor), 2012, Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar. 132 p. (Hermann Bahr – Kritische Schriften in Einzelausgaben (2004-2012))Research output: Books and anthologies › Monographs › Research › peer-review
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Hermann Bahr: Russische Reise
Schnödl, G. (Editor), 2012, Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar. 132 p. (Hermann Bahr – Kritische Schriften in Einzelausgaben)Research output: Books and anthologies › Monographs › Research › peer-review
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Hermann Bahr: Selbstbildnis
Schnödl, G. (Editor), 2011, Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar. 281 p. (Hermann Bahr – Kritische Schriften in Einzelausgaben (2004-2012))Research output: Books and anthologies › Monographs › Research › peer-review
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Hermann Bahr: Wien
Schnödl, G. (Editor), 2012, Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar. 92 p. (Hermann Bahr – Kritische Schriften in Einzelausgaben (2004-2012))Research output: Books and anthologies › Monographs › Research › peer-review
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Hermann Bahr. Burgtheater/ Schauspielkunst/ Notizen zur neueren spanischen Literatur.
Schnödl, G. (Editor), 2012, Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar. 191 p. (Hermann Bahr – Kritische Schriften in Einzelausgaben (2004-2012))Research output: Books and anthologies › Monographs › Research › peer-review
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Organisation der Kraft: Kunst-Arbeit im Zeitalter der Thermodynamik
Schnödl, G., 2013, Repräsentationen von Arbeit: Transdisziplinäre Analysen und künstlerische Produktionen. Brogi, S., Freier, C., Freier-Otten, U. & Hartosch, K. (eds.). Bielefeld: transcript Verlag, p. 101-114 14 p. (Gesellschaft der Unterschiede; vol. 11).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Sensory Engineering: Affects and the Mechanics of Musical Time
Großmann, R., 2014, Timing of Affect: Epistemologies, Aesthetics, Politics. Angerer, M.-L., Bösel, B. & Ott, M. (eds.). Zürich: Diaphanes Verlag, p. 191-205 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Computational Swarming: A Cultural Technique for Generative Architecture
Vehlken, S., 20.11.2014, In: Footprint. 15, p. 9-24 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Von Schmetterlingen und Atomreaktoren: Medien und Politiken der Resilienz am IIASA
Schrickel, I., 2014, In: Behemoth : a Journal on Civilization. 7 , 2, p. 5-25 21 p.Research output: Journal contributions › Journal articles › Research › peer-review