Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Algorithmic Catastrophe - the Revenge of Contingency

    Hui, Y., 11.2015, In: Parrhesia : a Journal of Critical Philosophy. 23, p. 122-143 22 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Published

    Der Sinn der Lehre: Ethnographie, Affekt, sensemaking

    Beyes, T. & Steyaert, C., 2015, Vom Sinn der Soziologie: Festschrift für Thomas S. Eberle . Maeder , C., Brosziewski , A. & Nentwich, J. (eds.). Wiesbaden: Springer Verlag, p. 197-211 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Fictions of the Possible: Art, the City and Public Entrepreneurship

    Beyes, T., 27.10.2015, In: Journal of Management Inquiry. 24, 4, p. 445-449 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published

    'Summoning art to save the city': A Note: 'Saving' the city: Collective low-budget organizing and urban practice

    Beyes, T., 2015, In: Journal of Management Inquiry. 15, 1, p. 207-220 13 p., 15.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Diversity of Play

    Fuchs, M. (Editor), 01.06.2015, Lüneburg: meson press. 111 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  6. Published

    Musikalische Wiederholung und Wiederaneignung: Collagen, Loops und Samples

    Großmann, R., 2015, Musik im Spektrum technologischer Entwicklungen und Neuer Medien: Festschrift für Bernd Enders. Bense et al., A. (ed.). Osnabrück: EPOS-Verlag, p. 207-218 11 p. (Medienästhetik der Musik; vol. 15).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Zur Zukunft der Vergangenheit – falls es eine geben wird

    Warnke, M., 2015, Die Kunst des Aufbewahrens . Segelken, B. (ed.). Mettingen: Draiflessen, p. 121-124 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    On the Spot: The Double Immersion of Virtual Reality

    Warnke, M., 30.10.2015, Immersion in the Visual Arts and Media. Liptay, F. (ed.). Leiden: Rodopi, p. 204 - 213 10 p. ( Studies in Intermediality; vol. 9).

    Research output: Contributions to collected editions/worksChapterpeer-review

  9. Published

    Film, oberflächlich simuliert

    Warnke, M., 2018, Oberflächen und Interfaces: Ästhetik und Politik filmischer Bilder . Holl, U., Kaldrack, I., Miksch, C., Stutz, E. & Welinder, E. (eds.). 1 ed. Paderborn : Wilhelm Fink Verlag, p. 55-59 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Automaten: Können Maschinen denken?

    Warnke, M., 2015, Das Lexikon der offenen Fragen. Kaube, J. & Laakmann, J. (eds.). Stuttgart: J.B. Metzler, p. 30-31 2 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch