Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Pete Rock: For Pete's Sake
Pelleter, M., 2015, In: JUICE. 138, Juli/August 2015, p. 64-70 7 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Über Klangerzeuger, Metallkisten und Breakbeat-Labore: Konstellationen aus Sound, Technik, Wissen und Praxis
Hardjowirogo, S.-I. & Pelleter, M., 01.2015, In: Navigationen. 15, 2, p. 99-111 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Arne Till Bense, Musik und Virtualität: Digitale Virtualität im Kontext computerbasierter Musikproduktion
Großmann, R., 2015, In: Die Musikforschung. 68, 3, p. 330-332 3 p.Research output: Journal contributions › Critical reviews › Research
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Das totale Archiv: Zur Funktion des Nicht-Wissens in der digitalen Kultur
Bernard, A., 2016, In: Merkur. 801, 70, p. 5-17 12 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Soundcultures, Audio Cultures, Auditory Cultures: Der Diskurs um die auditive Kultur und die Musikwissenschaft
Großmann, R., 2015, In: Navigationen. 15, 2, p. 13-30 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Trickkisten: Heinz von Foerster und der Zauber der Kybernetik
Müggenburg, J. K., 2016, Trick 17 : Mediengeschichten zwischen Zauberkunst und Wissenschaft. Vehlken, S., Müller-Helle, K., Müggenburg, J. & Sprenger, F. (eds.). Norderstedt: meson press, p. 59-84 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Trick 17: Mediengeschichten zwischen Zauberkunst und Wissenschaft
Vehlken, S. (Editor), Müller-Helle, K. (Editor), Müggenburg, J. K. (Editor) & Sprenger, F. (Editor), 2016, Norderstedt: meson press. 118 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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ReClaiming Participation: Technology - Mediation - Collectivity
Denecke, M. (Editor), Ganzert, A. (Editor), Otto, I. (Editor) & Stock, R. (Editor), 02.2016, Bielefeld: transcript Verlag. 296 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Der Delfin als Medium. Formation und Imagination in John C Lillys Kommunikationsexperimenten
Müggenburg, J. K., 2016, Designing Thinking: Angewandte Imagination und Kreativität um 1960. Mareis, C. (ed.). Paderborn: Wilhelm Fink Verlag, p. 185–212 28 p. (Eikones).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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When Machines Speak to Each Other: Unpacking the “Social” in “Social Media”
Shah, N., 29.04.2015, In: Social Media and Society. 1, 1, p. 1-3 3 p.Research output: Journal contributions › Journal articles › Research › peer-review