Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    What’s German about German media theory?

    Pias, C., 10.05.2016, Media Transatlantic: Developments in Media and Communication Studies Between North American and German-Speaking Europe. Friesen, N. (ed.). Cham: Springer International Publishing, p. 15-27 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Gespielte Medien und die Anfänge 'phonographischer Arbeit'

    Großmann, R., 2016, Spiel (mit) der Maschine: Musikalische Medienpraxis in der Frühzeit von Phonographie, Selbstspielklavier, Film und Radio. Saxer, M. (ed.). Bielefeld: transcript Verlag, p. 381-398 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Sound as Musical Material

    Großmann, R. & Hanacek, M., 03.2016, Sound as popular culture: a research companion. Papenburg, J. G. & Schulze, H. (eds.). Cambridge: The MIT Press, p. 53-64 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Phonographic work: Reading and writing sound

    Großmann, R., 03.2016, Sound as popular culture: a research companion. Papenburg, J. G. & Schulze, H. (eds.). Cambridge: The MIT Press, p. 355-366 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Qu’est-ce que la « marge d’indétermination »?

    Hui, Y., 24.11.2016

    Research output: other publicationsArticles in scientific forums or blogsResearchpeer-review

  6. Published

    The Question Concerning Technology in China: An Essay in Cosmotechnics

    Hui, Y., 2016, Falmouth: Urbanomic. 346 p. (Mono)

    Research output: Books and anthologiesMonographsResearch

  7. Published

    #3 Unstable Infrastructures: spheres Editorial Collective

    Apprich, C., Beverungen, A., Feigelfeld, P., Freudenschuß, M., Hille, L., Luchs, I., Simons, S., Wiedemann, C. & Yoosuf, H., 06.2016, In: spheres - Journal for Digital Cultures. 3, p. 1-3 3 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  8. Published

    Computerscreen und Tafelbild

    Warnke, M., 2016, Let's mix (all media) together & Hans Dieter Huber . Paflik-Huber, H. (ed.). Ostfildern: Hatje Cantz Verlag, p. 293-298 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Prometheus meets Meta-Image: Implementations of Aby Warburg's methodical approach in the digital era

    Warnke, M. & Dieckmann, L., 2016, In: Visual Studies. 31, 2, p. 109-120 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    THE PARALLAX OF INDIVIDUATION: simondon and schelling

    Hui, Y., 12.2016, In: Angelaki - Journal of the Theoretical Humanities. 21, 4, p. 77-89 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review