Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Digitale Verteilungskämpfe, digitale Zäune und digitale Schlupflöcher
Leistert, O., 2007, Herrschaftsverhältnisse und Herrschaftsdiskurse: Essays zur dekonstruktivistischen Herausforderung kritischer Gesellschaftstheorie. Weiss, V. & Speck, S. (eds.). Berlin: LIT Verlag, p. 144-157 14 p. (Villigst Profile; vol. 9).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The iPhone’s Failure—Protests and Resistances
Leistert, O., 2012, Moving Data: The iPhone and the Future of Media. Snickars, P. & Vonderau, P. (eds.). USA/ Vereinigten Staaten: Columbia University Press, p. 238-248 11 p.Research output: Contributions to collected editions/works › Chapter
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From Social Data to Body Data to Psy Data: Tap, Tap, Tap
Leistert, O., 2020, Affective Transformations : Politics-Algorithms-Media. Bösel, B. & Wiemer, S. (eds.). Lüneburg: meson press, p. 73-85 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Segment Introduction
Nigro, R. & Hörl, E., 01.10.2021, Taking Sides: Theories, Practices, and Cultures of Participation in Dissent. Bippus, E., Ganzert, A. & Otto, I. (eds.). 1 ed. Bielefeld: transcript Verlag, Vol. 28. p. 251-257 7 p. (Culture & theory; vol. 211).Research output: Contributions to collected editions/works › Other › Research
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Becoming-Environmental: Toward a Critique of Environmentality as Power-Form, World-Form, and Capital-Form
Hörl, E., 2020, Hybrid Ecologies. Witzgall, S., Kesting, M., Muhle, M. & Nachtigall, J. (eds.). Zürich: Diaphanes Verlag, p. 197-208 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Critique of Environmentality: On the World-Wide Axiomatics of Environmentalitarian Time
Hörl, E., 2021, Critique and the Digital. Hörl, E., Pinkrah, N. & Warnsholdt, L. (eds.). Zürich: Diaphanes Verlag, p. 109-146 38 p. (Critical Stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Instrument
Großmann, R., 2021, The Bloomsbury Handbook of the Anthropology of Sound. Schulze, H. (ed.). 1 ed. New York: Bloomsbury Academic, p. 59-76 18 p. 3Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Case of Willetta Huggins
Wiechern, A.-L., 2020, Stimmen Hören. Klaut, M., Schnödl, G. & Pias, C. (eds.). Berlin: ciconia ciconia Verlag, p. 277-284 8 p. (Ciconia ciconia; vol. 34).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Introduction: Modeling the Pacific Ocean
Vehlken, S., Vagt, C. & Kittler, W., 20.05.2021, In: Media and Environment. 3, 2, 16 p.Research output: Journal contributions › Conference article in journal › Research
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Emily, Herring, Kevin Matthew, Jones, Konstantin, Kiprijanov, Laura, Sellers. The past, present, and future of integrated history and philosophy of science. London, England: Routledge, 2019.
Borrelli, A., 08.2020, In: Centaurus. 62, 3, p. 579-581 3 p.Research output: Journal contributions › Critical reviews › Research