Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Virtuelle Realität, 3D und Simulation

    Warnke, M., 2014, Bild: Ein interdisziplinäres Handbuch. Günzel, S. & Mersch, D. (eds.). Stuttgart: J.B. Metzler, p. 273-277 5 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  2. Published

    Virtualität und Interaktivität

    Warnke, M., 2003, Metzler Lexikon Kunstwissenschaft: Ideen, Methoden, Begriffe. Pfisterer, U. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 369-372 4 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  3. Published

    Verunsicherungen als Forschungs- und Lehrkonzept

    Hennig, I., Kruse, M.-M., Hobuß, S. & Thomas, T., 2011, Dekonstruktion und Evidenz: Ver(un)sicherungen in Medienkulturen. Thomas, T., Hobuß, S., Hennig, I. & Kruse, M.-M. (eds.). Königstein/Taunus: Ulrike Helmer Verlag, p. 8-21

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Versuch über die Wölbung

    Berz, P., 11.05.2011, In: wespennest. zeitschrift für brauchbare texte und bilder. 43, 160, p. 73-79 7 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Verschlafener Medienwandel: das Dispositiv als musikwissenschaftliches Theoriemodell

    Großmann, R., 2008, In: Positionen. 74, Dispositiv(e), p. 6-9 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Verhüllt – unverhüllt: Bild und Verschleierung in der Afghanistanberichterstattung

    Grittmann, E., 2003, Bilder des Terrors - Terror der Bilder? : Krisenberichterstattung am und nach dem 11. September. Beuthner, M., Buttler, J., Fröhlich, S., Neverla, I. & Weichert, S. A. (eds.). Köln: Herbert von Halem Verlag, p. 268-284 17 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Végétal Cristalline

    Bösenberg, E. S., 10.07.2017, (Mit) Pflanzen kartographieren. Loreck, H., A. K. & Lindeborg, S. (eds.). Hamburg: Materialverlag-HFBK Hamburg, p. 148-151 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Variations on Klee’s Cosmographic Method

    Hörl, E., 2014, Grain, Vapor, Ray: Textures of the Anthropocene. Klingan, K., Sepahvand, A., Rosol, C. & Scherer, B. M. (eds.). London: The MIT Press, Vol. Ray: Vol. III. p. 180-192 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Valuation Beyond the Market: On Symbolic and Economic Value in Contemporary Art

    Wuggenig, U. & Rudolph, S., 2013, Art Production Beyond the Art Market?. van den Berg, K. & Pasero, U. (eds.). Berlin / New York: Sternberg Press, p. 101-149 49 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Utopian Hacks

    Bachmann, G., 08.2017, Limn Number 8: Hacks, Leaks, and Breaches. Coleman, E. G. & Kelty, C. M. (eds.). CreateSpace Independent Publishing, Vol. 8. p. 96-101 6 p. (Limn; no. 8).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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