Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Deutsch-Stunden: zur Konstruktion nationaler Identität im Fernsehtalk

    Thomas, T., 2003, Frankfurt, Main: Campus Verlag. 438 p.

    Research output: Books and anthologiesMonographsResearch

  2. Published

    Der Zeitpfeil im Digitalen: Synthese, Mimesis, Emergenz

    Warnke, M., 2004, Berlin: Stiftungs-Verbundkolleg Informationsgesellschaft. 69 p. (Stiftungsreihe; vol. 64)

    Research output: Books and anthologiesMonographsResearch

  3. Published

    Der ‚Stachel des Digitalen‘ – ein Anreiz zur Selbstreflexion in den Geisteswissenschaften? Ein philosophischer Kommentar zu den Digital Humanities in neun Thesen

    Krämer, S., 19.06.2018, In: Digital Classics Online. 4, 1, p. 5-11 7 p.

    Research output: Journal contributionsComments / Debate / ReportsResearch

  4. Published

    Der Soldat im Unterhaltungsformat: Verflechtungen zwischen Journalismus und Militär verändern die politische Kultur

    Thomas, T. & Virchow, F., 2005, In: M: Menschen machen Medien. 54, 3, p. 16-17 2 p.

    Research output: Journal contributionsJournal articlesResearch

  5. Published

    Der Sinn der Lehre: Ethnographie, Affekt, sensemaking

    Beyes, T. & Steyaert, C., 2015, Vom Sinn der Soziologie: Festschrift für Thomas S. Eberle . Maeder , C., Brosziewski , A. & Nentwich, J. (eds.). Wiesbaden: Springer, p. 197-211 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    "Der siebente Brunnen". Fred Wanders Versuch einer anderen Darstellung der Shoah in der DDR-Literatur

    Rudolph, S., 2011, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 2011, 4, p. 58-61 4 p.

    Research output: Journal contributionsJournal articlesResearch

  7. Published

    Der Schwerkraft entkommen: Letatlin und andere utopische Flugapparate in der Kunst des 20. Jahrhunderts – fünf Marginalien

    Broeckmann, A., 2012, Tatlin – neue Kunst für eine neue Welt: Internationales Symposium. M. T. (ed.). Ostfildern, Basel: Hatje Cantz Verlag, p. 84-87 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Der Rest ist Papier: Mediale Infrastrukturen der Finanzmärkte

    Ambroschütz, J., Dommann, M. & Hoof, F., 12.04.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 87-96 10 p.

    Research output: Journal contributionsJournal articlesResearch

  9. Published

    Der Raum des Cyberspace

    Warnke, M., 2008, Welt[stadt]raum: Mediale Inszenierungen. Zinsmeister, A. (ed.). Bielefeld: transcript Verlag, p. 81-104 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Der Raum des Cyberspace

    Warnke, M., 2006, Kultur und Informatik: Entwickler, Architekten und Gestalter der Informationsgesellschaft. Sieck, J. & Herzog, M. A. (eds.). Frankfurt am Main [u.a.]: Peter Lang Verlag, p. 155-167 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch