Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Die Problematik Granels
Hörl, E., 04.2020, Die totale Produktion: Technik, Kapital und die Logik der Unendlichkeit. Hörl, E. (ed.). Wien: Verlag Turia + Kant, p. 7-37 31 p.Research output: Contributions to collected editions/works › Other › Research
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Die politisch-normativen Strukturen globaler Sicherheit und Probleme der Kommunikation ordnungskonstitutiver militärischer Gewalt
Spreen, D., 2011, Den Krieg erklären: Sicherheitspolitik als Problem der Kommunikation. Zowislo-Grünewald, N. & Schulz, J. (eds.). Frankfurt am Main: Peter Lang Verlag, p. 17-36 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Die papiernen Tafeln des Alan Mathison Turing
Warnke, M., 2006, Turings Tables. John, F. (ed.). Courtesy Galerie Schüppenhauer Köln, p. 28-36 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Die Ökologisierung des Denkens
Hörl, E. H., 2016, In: Zeitschrift für Medienwissenschaft. 14, 1, p. 33-45 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Die Nihilisierung des Nihilismus - Alfred Seidel (1895-1924)
Voller, C., 2016, Intellektuelle in Heidelberg 1910 - 1933. Ein Lesebuch. Bitterolf, M., Schöbel, S. & Schlaudt, O. (eds.). Heidelberg: Schöbel , p. 305-321 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die multimediale Herausforderung und die Wissenschaft von der Musik
Großmann, R., 2005, In: Neue Zeitschrift für Musik : das Magazin für neue Töne. 166, 4, p. 22-24 3 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Die mediale Erfindung der Gesellschaft: Genealogie als soziologische Methode
Spreen, D., 2004, Die Medien und ihre Technik: Theorien – Modelle – Geschichte. Segeberg, H. (ed.). Marburg: Schüren Verlag, p. 43-55 12 p. (Schriftenreihe der Gesellschaft für Medienwissenschaft (GfM); vol. 11).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Die Materialität des Klangs und die Medienpraxis der Musikkultur: Ein verspäteter Gegenstand der Musikwissenschaft?
Großmann, R., 2013, Auditive Medienkulturen: Techniken des Hörens und Praktiken der Klanggestaltung. Volmar, A. & Schröter, J. (eds.). Bielefeld: transcript Verlag, p. 61-78 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die Macht der Gefühle: Emotionen in Management, Organisation und Kultur
Metelmann, J. (Editor) & Beyes, T. (Editor), 2012, Berlin: Berlin University Press. 211 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Die Lesbarkeit der Bewegung
Pias, C., 2011, Gestalt der Bewegung - Figure of Motion. Zinsmeister, A. (ed.). Jovis Verlag, p. 131-161 15 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review