Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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In favour for the genetic principle
Warnke, M., 2007, Medichi 2007: Methodic and Didactic Challanges of the History of Informatics. Böszörmenyi, L. (ed.). Wien: Österreichische Computer-Gesellschaft, p. 112-113 2 p. (booksocg.at; vol. 220).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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In der Dämmerung: Studien zur Vor- und Frühgeschichte der Kritischen Theorie
Voller, C., 2022, Berlin: Matthes & Seitz Berlin. 414 p.Research output: Books and anthologies › Book
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Im Namen des Staates: Der elektronische Personalausweis und die Medien der Regierungskunst
Engemann, C., 2011, In: Zeitschrift für Medien- und Kulturforschung. 2, 2, p. 212-228 17 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Im Mittelpunkt steht Ada. Zur Einleitung in diesen Band
Krämer, S., 2015, Ada Lovelace.: Die Pionierin der Computertechnik und ihre Nachfolgerinnen. Krämer, S. (ed.). München: Wilhelm Fink Verlag, p. 7-16 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Im Epochenlosen: Bernard Stieglers Denken des Entropozäns
Hörl, E., 22.11.2023, In: Kulturwissenschaftliche Zeitschrift. 2022, 3, p. 20-44 25 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Imagination und Erfahrung: Überlegungen zur Poetik der Gegenwart
Bernard, A., 12.2023, In: Deutsche Vierteljahrsschrift fur Literaturwissenschaft und Geistesgeschichte. 97, 4, p. 1163-1169 7 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Images of Feasibility: On the Viscourse of Climate Engineering
Schrickel, I., 04.2014, Image Politics of Climate Change: Visualizations, Imaginations, Documentations. Schneider, B. & Nocke, T. (eds.). Bielefeld: transcript Verlag, p. 363-382 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Image Search
Warnke, M., 2011, Algorithms of Power: Key Invisibles. Ludes, P. (ed.). 1 ed. Berlin: LIT Verlag, p. 61-68 8 p. (The world language of key visuals; no. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Ideologie, Hegemonie und Diskurs
Thomas, T., 04.2015, Handbuch Cultural Studies und Medienanalyse. Hepp, A., Krotz, F., Lingenberg, S. & Wimmer, J. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, Vol. 2. p. 67-77 11 p. (Medien; Kultur; Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Identitäten im Netz: Performative Strategien in kollaborativer Online-Musikproduktion
Stenzel, M., 2024, Hildesheim: Universitätsverlag Hildesheim. 384 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 10)Research output: Books and anthologies › Monographs › Research