Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    In favour for the genetic principle

    Warnke, M., 2007, Medichi 2007: Methodic and Didactic Challanges of the History of Informatics. Böszörmenyi, L. (ed.). Wien: Österreichische Computer-Gesellschaft, p. 112-113 2 p. (booksocg.at; vol. 220).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  2. Published

    In der Dämmerung: Studien zur Vor- und Frühgeschichte der Kritischen Theorie

    Voller, C., 2022, Berlin: Matthes & Seitz Berlin. 414 p.

    Research output: Books and anthologiesBook

  3. Published

    Im Namen des Staates: Der elektronische Personalausweis und die Medien der Regierungskunst

    Engemann, C., 2011, In: Zeitschrift für Medien- und Kulturforschung. 2, 2, p. 212-228 17 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published

    Im Mittelpunkt steht Ada. Zur Einleitung in diesen Band

    Krämer, S., 2015, Ada Lovelace.: Die Pionierin der Computertechnik und ihre Nachfolgerinnen. Krämer, S. (ed.). München: Wilhelm Fink Verlag, p. 7-16 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Im Epochenlosen: Bernard Stieglers Denken des Entropozäns

    Hörl, E., 22.11.2023, In: Kulturwissenschaftliche Zeitschrift. 2022, 3, p. 20-44 25 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Imagination und Erfahrung: Überlegungen zur Poetik der Gegenwart

    Bernard, A., 12.2023, In: Deutsche Vierteljahrsschrift fur Literaturwissenschaft und Geistesgeschichte. 97, 4, p. 1163-1169 7 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Images of Feasibility: On the Viscourse of Climate Engineering

    Schrickel, I., 04.2014, Image Politics of Climate Change: Visualizations, Imaginations, Documentations. Schneider, B. & Nocke, T. (eds.). Bielefeld: transcript Verlag, p. 363-382 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Image Search

    Warnke, M., 2011, Algorithms of Power: Key Invisibles. Ludes, P. (ed.). 1 ed. Berlin: LIT Verlag, p. 61-68 8 p. (The world language of key visuals; no. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Ideologie, Hegemonie und Diskurs

    Thomas, T., 04.2015, Handbuch Cultural Studies und Medienanalyse. Hepp, A., Krotz, F., Lingenberg, S. & Wimmer, J. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, Vol. 2. p. 67-77 11 p. (Medien; Kultur; Kommunikation).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Identitäten im Netz: Performative Strategien in kollaborativer Online-Musikproduktion

    Stenzel, M., 2024, Hildesheim: Universitätsverlag Hildesheim. 384 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 10)

    Research output: Books and anthologiesMonographsResearch