Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Peter Sloterdijk (1947b)

    Beyes, T., 2014, The Oxford Handbook of Process Philosophy and Organization Studies. Helin , J., Hernes, T., Hjorth, D. & Holt, R. (eds.). Oxford: Oxford University Press, p. 567-584 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Pete Rock: For Pete's Sake

    Pelleter, M., 2015, In: JUICE. 138, Juli/August 2015, p. 64-70 7 p.

    Research output: Journal contributionsJournal articlesTransferpeer-review

  3. Published

    PeTAL-DTD

    Warnke, M., Terstegge, C. & Wedemeyer, C., 2007

    Research output: Non-textual form typesData setResearch

  4. Published

    PETAL: a proposal of an XML standard for the visual arts

    Terstegge, C., Warnke, M. & Wedemeyer, C., 2002, Electronic Imaging & the Visual Arts. Eva 2002 Florence. Capellini, V., Hemsley, J. & Stanke, G. (eds.). Berlin: Gesellschaft zur Förderung angewandter Informatik e.V., p. 94-99 6 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  5. Published

    Perverse Bienen: Artificial Life und der Apfel der Erkenntnis

    Schmickl, T., Müggenburg, J. K. & Warnke, M., 01.03.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 98-110 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Pervasive Intelligence: The Tempo-Spatiality of Drone Swarms

    Vehlken, S., 22.08.2018, In: Digital Culture & Society. 4, 1, p. 107-132 26 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Perspektiven kritischer Medienkulturtheorie und -analyse: Aktuelle Herausforderungen und theoretische Potentiale

    Thomas, T., 2010, Medienkultur im Wandel. Hepp, A., Höhn, M. & Wimmer, J. (eds.). UVK Verlagsgesellschaft mbH, p. 73-89 17 p. (Schriftenreihe der Deutschen Gesellschaft für Publizistik- und Kommunikationswissenschaft; vol. 37).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  8. Published

    ‚Permanenter Ausnahmezustand’, ‚Netzkrieg’ oder doch ‚Zivilgesellschaft’? Kritische Überlegungen zum analytischen Wert von Kriegsmetaphern

    Spreen, D., 2010, Unsichere Zeiten: Herausforderungen gesellschaftlicher Transformationen. Verhandlungen des 34. Kongresses der Deutschen Gesellschaft für Soziologie in Jena 2008. Soeffner, H.-G. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Performing university space: Multiplicity, Relationality, Affect

    Beyes, T. & Michels, C., 01.01.2014, The Physical University: Contours of Space and Place in Higher Education. Temple, P. (ed.). London: Routledge Taylor & Francis Group, p. 15-33 19 p. 141021

    Research output: Contributions to collected editions/worksChapterpeer-review

  10. Published

    Performing the Digital: Performativity and Performance Studies in Digital Cultures

    Leeker, M. (Editor), Schipper, I. (Editor) & Beyes, T. (Editor), 01.03.2017, Bielefeld : transcript Verlag. 300 p. (Digitale Gesellschaft; vol. 11)

    Research output: Books and anthologiesCollected editions and anthologiesResearch