Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Rezension: Anja Hartung / Wolfgang Reißmann / Bernd Schorb (2009): Musik und Gefühl. Eine Untersuchung zur gefühlsbezogenen Aneignung von Musik im Kindes- und Jugendalter unter besonderer Berücksichtigung des Hörfunks. Berlin: Vistas
Großmann, R., 2010, In: Medien & Kommunikationswissenschaft. 58, 2, p. 271-272Research output: Journal contributions › Critical reviews › Research
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(Review) The Shape of Spectatorship. Art, Science, and Early Cinema in Germany by Scott Curtis. New York: Columbia University Press, 2015.
Wellmann, J., 11.2016, In: Modernism/Modernity. 23, 4, p. 918-920 3 p.Research output: Journal contributions › Critical reviews › Research
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Rethinking Gamification
Fuchs, M. (Editor), Fizek, S. (Editor), Ruffino, P. (Editor) & Schrape, N. (Editor), 16.06.2014, Lüneburg: meson press. 344 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Rethinking AI: Neural Networks, Biometrics and the New Artificial Intelligence
Reichert, R. (Editor) & Fuchs, M. (Editor), 01.09.2018, Bielefeld: transcript Verlag. 240 p. (Digital culture & society; vol. 4, no. 1)Research output: Books and anthologies › Special Journal issue › Research
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REST in Peace: Floating Tanks als Medientechnik zwischen Balance und Exzess
Hauss, P. & Vehlken, S., 10.02.2020, Balance: Figuren des Äquilibriums in den Kulturwissenschaften. Goebel , E. & Zumbusch, C. (eds.). Berlin, Boston: Walter de Gruyter GmbH, p. 217-238 22 p. (Studien aus dem Warburg-Haus; vol. 23 ).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Resonating self-tracking practices? Empirical insights into theoretical reflections on a 'sociology of resonance'
Kappler, K. E., Krzeminska, A. & Noji, E., 24.09.2018, Metric Culture: Ontologies of Self-Tracking Practices. Ajana, B. (ed.). Emerald Publishing Limited, p. 77-95 19 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- E-pub ahead of print
Resisting foundations: Politics between determinate negation and the ultimate double bind
Schneider, N., 18.02.2025, (E-pub ahead of print) In: Philosophy and Social Criticism. 21 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Reproduktionsmusik und Remix-Culture
Großmann, R., 2011, Mind the Gap!: Medienkonstellationen zwischen zeitgenössischer Musik und Klangkunst. Saxer, M. (ed.). Saarbrücken: Pfau Verlag, p. 116-127 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Repositionierungen: Von Machtverschiebungen im Kapitalismus und Feminismus
Bunz, M., 2013, In: Femina Politica. 21, 2, p. 161-162 2 p.Research output: Journal contributions › Journal articles › Research
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Report of workshop 'Computer als Medium (Hyperkult VI)', University-of-Luneburg, Germany, July 16, 1997
Grossmann, R., 1997, In: Zeitschrift für Semiotik. 19, 4, p. 499-500 2 p.Research output: Journal contributions › Other (editorial matter etc.) › Research