Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published
  2. Published
  3. Published

    Rethinking Gamification

    Fuchs, M. (Editor), Fizek, S. (Editor), Ruffino, P. (Editor) & Schrape, N. (Editor), 16.06.2014, Lüneburg: meson press. 344 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. Published

    Rethinking AI: Neural Networks, Biometrics and the New Artificial Intelligence

    Reichert, R. (Editor) & Fuchs, M. (Editor), 01.09.2018, Bielefeld: transcript Verlag. 240 p. (Digital culture & society; vol. 4, no. 1)

    Research output: Books and anthologiesSpecial Journal issueResearch

  5. Published

    REST in Peace: Floating Tanks als Medientechnik zwischen Balance und Exzess

    Hauss, P. & Vehlken, S., 10.02.2020, Balance: Figuren des Äquilibriums in den Kulturwissenschaften. Goebel , E. & Zumbusch, C. (eds.). Berlin, Boston: Walter de Gruyter GmbH, p. 217-238 22 p. (Studien aus dem Warburg-Haus; vol. 23 ).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Resonating self-tracking practices? Empirical insights into theoretical reflections on a 'sociology of resonance'

    Kappler, K. E., Krzeminska, A. & Noji, E., 24.09.2018, Metric Culture: Ontologies of Self-Tracking Practices. Ajana, B. (ed.). Emerald Publishing Limited, p. 77-95 19 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  7. E-pub ahead of print

    Resisting foundations: Politics between determinate negation and the ultimate double bind

    Schneider, N., 18.02.2025, (E-pub ahead of print) In: Philosophy and Social Criticism. 21 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Reproduktionsmusik und Remix-Culture

    Großmann, R., 2011, Mind the Gap!: Medienkonstellationen zwischen zeitgenössischer Musik und Klangkunst. Saxer, M. (ed.). Saarbrücken: Pfau Verlag, p. 116-127 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Repositionierungen: Von Machtverschiebungen im Kapitalismus und Feminismus

    Bunz, M., 2013, In: Femina Politica. 21, 2, p. 161-162 2 p.

    Research output: Journal contributionsJournal articlesResearch

  10. Published

    Report of workshop 'Computer als Medium (Hyperkult VI)', University-of-Luneburg, Germany, July 16, 1997

    Grossmann, R., 1997, In: Zeitschrift für Semiotik. 19, 4, p. 499-500 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research