Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2013
- Published
Networked Disruption: Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking
Bazzichelli, T., 2013, Aarhus: Aarhus University Press. 261 p.Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Organisation der Kraft: Kunst-Arbeit im Zeitalter der Thermodynamik
Schnödl, G., 2013, Repräsentationen von Arbeit: Transdisziplinäre Analysen und künstlerische Produktionen. Brogi, S., Freier, C., Freier-Otten, U. & Hartosch, K. (eds.). Bielefeld: transcript Verlag, p. 101-114 14 p. (Gesellschaft der Unterschiede; vol. 11).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Photojournalisme en Allemagne à l’ère de la révolution numérique
Grittmann, E., 2013, L’œil itinérant: La photographie allemande contemporaine à l’heure du web 2.0. Robin, G. (ed.). Paris: Septentrion, p. 120-133 14 p. (Allemagne d’aujourd’hui; vol. 203).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
"Post"– "Pop"– "Pseudo"? – Zur Diskussion popfeministischer Zeitschriften als Arenen der (Re-)Artikulation feministischer Öffentlichkeiten.
Thomas, T. & Kruse, M.-M., 2013, Geschlechterverhältnisse und neue Öffentlichkeiten: Feministische Perspektiven. Riegraf, B., Hacker, H., Kahlert, H., Liebig, B., Peitz, M. & Reitsamer, R. (eds.). 1. ed. Münster: Verlag Westfälisches Dampfboot, p. 163-190 28 p. (Forum Frauen- und Geschlechterforschung; vol. 36).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Prothesen, Aufschreibesysteme, Cyborgs
Spreen, D., 2013, In: Ästhetik & Kommunikation. 43, 158-159, p. 89-96 7 p.Research output: Journal contributions › Journal articles › Research
- Published
Quantencomputer. Taktlos
Warnke, M., 2013, Kulturtechniken der Synchronisation. Kassung, C. & Macho, T. (eds.). Paderborn: Wilhelm Fink Verlag, p. 269-287 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Relationen im Raum: Visualisierung topographischer Klein(st)strukturen
Hüttenmeister, N., Kollatz, T., Rütenik, T., Warnke, M., Wedemeyer, C. & Ziai, T., 2013, In: Kalonymos. 16, 4, p. 4-6 3 p.Research output: Journal contributions › Journal articles › Research
- Published
Repositionierungen: Von Machtverschiebungen im Kapitalismus und Feminismus
Bunz, M., 2013, In: Femina Politica. 21, 2, p. 161-162 2 p.Research output: Journal contributions › Journal articles › Research
- Published
[Rezension] Franke, Jürgen: Wie integriert ist die Bundeswehr? Eine Untersuchung zur Integrationssituation der Bundeswehr als Verteidigungs- und Einsatzarmee. Baden-Baden 2012
Spreen, D., 2013, Jahrbuch Innere Führung 2013: Wissenschaften und ihre Relevanz für die Bundeswehr als Armee im Einsatz. Hartmann, U. & von Rosen, C. (eds.). Berlin: Miles-Verlag, p. 392-396 5 p.Research output: Contributions to collected editions/works › Critical Reviews › Research
- Published
Schwarm-Werden: Epistemische Rekursionen selbstorganisiernder Kollektive
Vehlken, S., 2013, Automatismen - Selbsttechnologien. Bublitz, H., Kaldrack, I., Röhle, T. & Zeman, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 289-306 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review